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This pregnant little lady appeared when I intuitively started working and not knowing, where it goes. When I saw the big belly of the woman that started to take shape in my hands, I decided to follow the idea of a pregnant woman, sitting on a stone. Somehow she is one with the stone she is sitting on, as she is happily dreaming of her baby, which also reflects in her posture and facial expression. I loved making that little foot standing out on her back as she sits on her legs.

The sculpture was made with black clay and a light blue glaze. It is signed on the bottom and I put little self-adhesive felt glides underneath to protect furniture from scratches. They can easily be removed, if you prefer the sculpture to stand without.

Size: H8 x W11 x D13,5 cm (H3,14 x W4,33 x D5,31 inch)
Weight: 1174 g

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
This pregnant little lady appeared when I intuitively started working and not knowing, where it goes. When I saw the big belly of the woman that started to take shape in my hands, I decided to follow the idea of a pregnant woman, sitting on a stone. Somehow she is one with the stone she is sitting on, as she is happily dreaming of her baby, which also reflects in her posture and facial expression. I loved making that little foot standing out on her back as she sits on her legs.

The sculpture was made with black clay and a light blue glaze. It is signed on the bottom and I put little self-adhesive felt glides underneath to protect furniture from scratches. They can easily be removed, if you prefer the sculpture to stand without.

Size: H8 x W11 x D13,5 cm (H3,14 x W4,33 x D5,31 inch)
Weight: 1174 g

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
This pregnant little lady appeared when I intuitively started working and not knowing, where it goes. When I saw the big belly of the woman that started to take shape in my hands, I decided to follow the idea of a pregnant woman, sitting on a stone. Somehow she is one with the stone she is sitting on, as she is happily dreaming of her baby, which also reflects in her posture and facial expression. I loved making that little foot standing out on her back as she sits on her legs.

The sculpture was made with black clay and a light blue glaze. It is signed on the bottom and I put little self-adhesive felt glides underneath to protect furniture from scratches. They can easily be removed, if you prefer the sculpture to stand without.

Size: H8 x W11 x D13,5 cm (H3,14 x W4,33 x D5,31 inch)
Weight: 1174 g

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
This pregnant little lady appeared when I intuitively started working and not knowing, where it goes. When I saw the big belly of the woman that started to take shape in my hands, I decided to follow the idea of a pregnant woman, sitting on a stone. Somehow she is one with the stone she is sitting on, as she is happily dreaming of her baby, which also reflects in her posture and facial expression. I loved making that little foot standing out on her back as she sits on her legs.

The sculpture was made with black clay and a light blue glaze. It is signed on the bottom and I put little self-adhesive felt glides underneath to protect furniture from scratches. They can easily be removed, if you prefer the sculpture to stand without.

Size: H8 x W11 x D13,5 cm (H3,14 x W4,33 x D5,31 inch)
Weight: 1174 g

Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.
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Full of Love Sculpture

Bettina Charlotte Radatz

Portugal

Sculpture, Ceramic on Ceramic

Size: 4.3 W x 3.1 H x 5.3 D in

Ships in a Box

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SOLD
Originally listed for $630
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Artist Recognition

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About The Artwork

This pregnant little lady appeared when I intuitively started working and not knowing, where it goes. When I saw the big belly of the woman that started to take shape in my hands, I decided to follow the idea of a pregnant woman, sitting on a stone. Somehow she is one with the stone she is sitting on, as she is happily dreaming of her baby, which also reflects in her posture and facial expression. I loved making that little foot standing out on her back as she sits on her legs. The sculpture was made with black clay and a light blue glaze. It is signed on the bottom and I put little self-adhesive felt glides underneath to protect furniture from scratches. They can easily be removed, if you prefer the sculpture to stand without. Size: H8 x W11 x D13,5 cm (H3,14 x W4,33 x D5,31 inch) Weight: 1174 g Please note: The sale of original artwork does not include the sale of copyright. All rights reserved.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:4.3 W x 3.1 H x 5.3 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bettina Charlotte's career as an artist began after a long life of exploration. Although she has traveled around geographically too, Berlin/ Germany had been her base for 54 years - in 2013 this has changed as she decided to move to the Portuguese island of Madeira. Before starting her artistic career Bettina Charlotte has explored different professions: she travelled the world as flight attendant for Lufthansa, she learned to be and worked as professional photographer, studied adult education and worked with adults for many years, was self employed and worked as systemic life coach in Berlin, Germany – these professions have given her a wide horizon of different elements of life. Because of her constant drive to be creative, art has always accompanied her during times of other professions and in 2013 she finally decided to work as full time artist when she moved to the island of Madeira to be part of the local artist community. Perhaps because of all this together--getting to know so many earthly professions--her art has turned more into the abstract and sometimes metaphysical. Her special ability is intuitive painting in a gestural expressive way – she calls it “The Art to Listen to Your Heart” which she also teaches in workshops in Alentejo, on the Portuguese mainland. Bettina Charlotte spontaneously chooses the materials, tools and techniques - having fun and trusting her intuition to lead the way during the creative process is a very important factor for an authentic expression, she says. In early years she was inspired by Miro, Klimt, Klee, Picasso in painting and Rodin in sculpting. She lives and works in Portugal since 2013.

Artist Recognition

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