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Sculpture, Glass on Steel
Size: 5.5 W x 15.1 H x 4 D in
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403 Views
7
Artist featured in a collection
This is a piece from my Vetro Povera series, which is made with discarded pieces of glass melted in the glory hole, without use of liquid glass from the furnace. It is an homage to the ingenuity and creativity of early glass artists, before glass furnaces had been invented. It is a portrait of glass artist Dale Chilhuly. It is assembled from scraps of black glass covered in 23 karat gold-leaf that were discarded from a series of glass vases created by gaffer James Mongrain for Chihuly Studios as a gift to Hilltop Artists, in Tacoma, Washington. I saved the scraps and placed them on a piece of kiln shelf which was placed in the glory hole until it was hot enough to fuse the individual pieces together. The glass was never attached to a blow pipe during the process, it was shaped on the kiln shelf, and actually fell on the floor a couple of times while being made! Like all my pieces it is one of a kind and made with love, this one a little more so, in respect for the greatness of Dale Chihuly's contribution to glass art. Dale gave me my first job in glass, and I will always be indebted to him.
2016
Glass on Steel
One-of-a-kind Artwork
5.5 W x 15.1 H x 4 D in
Not Framed
Not applicable
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Greg Owen is a Washington state based artist and educator. He began blowing glass in 1986 at Pratt Fine Arts Center, and started working for artist Dale Chihuly in 1987, both in Seattle, Washington. After receiving his Bachelor of Fine Arts in Glass from California College of the Arts, Greg moved back to Washington State to work for the Pilchuck Glass School. For the last five years he has worked at Museum of Glass in Tacoma, Washington in Audience Engagement and Education, and as Program Manager for Hot Shop Heroes: Healing with Fire, a series of classes designed to teach soldiers and veterans how to blow glass. In addition to creating his own artworks and wildly popular Instagram videos (), Greg enjoys teaching yoga, hiking and lots and lots of music. I envision my Masks as ritual objects, to be used as masks have been used since time immemorial: to focus and elevate those aspects of culture and humanity which the world requires more of at the moment. The beauty of masks is that they can conjure different meanings and stories depending on who is looking at them, regardless of culture or epoch. The human face is the most common currency of human recognition. It is the first visual object we as humans learn to recognize, as newborns looking up from our cribs. The practice of fashioning images of the human face is so central to what it means to be human that it is a bit of a stretch to even refer to such creations as "art", rather than attempts to follow the Ancient Greek aphorism to "know thyself". My urge to create the Mask series comes from a desire to take part in humanity's most basic conversation with itself.
Artist featured by Saatchi Art in a collection
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