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United Kingdom
Sculpture, Wood on Wood
Size: 55 W x 65 H x 60 D in
Ships in a Crate
Exploration of the meaning of 'touch', sensuality, as a primary way of 'seeing'. Referencing Phenomenology (Heidegger, Merleau-Ponty), human relationship with life, world, through tools, holding and wielding, through a history of crafts, skills, and whether we are becoming more visually and intellectually engaged. Construction entirely from selected discarded materials, many on the edge of decomposition, and testing constructional limits through hot-bending, and inviting accidents, incidents, to direct the made outcomes.
Sculpture:Wood on Wood
Original:One-of-a-kind Artwork
Size:55 W x 65 H x 60 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Born England 1959, lives and practices in East Anglia. Currently active with sculpture and installations, but also painting, drawing, and writing. The material characteristics are central to form and content, as process invites responses, as a 'dialogue' between artist and media throughout the making. Concepts explore our phenomenolgical experience of 'being' in the world, how we interact with environments, objects, and time. The impact of consumerism as a specific social and material phenomenon is often 'in the mix' and leaning towards Constructivism. Studio practice is integral and essential to informing the work, with value given to experimenting at the workbench. 'Found' materials, the discarded 'collateral' of society, are often the dots that will be joined, that can result in an evocation of post-industrial wilderness. A fascination with natural processes of decay, set against mankind's' persistent attempts to 'better' them, and endure through manufacturing engineered constructs and relentless hard labours, sets the central dynamic that pervades this work.
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