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Sculpture, Fractal on Wood
Size: 38.2 W x 35.8 H x 1 D in
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First version of this piece was called twist, study of standing in one square meter. Since then I moved studio twice, as you know a lot of other challenging events have been there to remind me of limited space, movement, and colors. So I decided to revisit it and give it a new perspective. Tessellation and choreography are still, colors movement and interactions are giving a saturated mindscape and almost makes me forget about the reductive space of movement currently experiencing. As little as the escape can be, I’ll get there. I wish the viewer can find many exit, at least an escape in uncertain times. may each gradient bring hope and illusion of organized chaos, as if the world was one. geometry and colors have always brought to me a way to organize what was dysfunctional in my surroundings and globally. may we rise above and create harmony from every mistake we create and live with. pigments and acrylic on Reclaimed MDF (Medium-density fibreboard) hand jig sawed.
2021
Fractal on Wood
One-of-a-kind Artwork
38.2 W x 35.8 H x 1 D in
Not applicable
Yes
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Israel.
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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