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"I just wanna shine" Sculpture

Tom Sturm

France

Sculpture, Stone

Size: 7.5 W x 19.7 H x 3.3 D in

Ships in a Crate

SOLD
Originally listed for $3,230

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

"I just wanna shine" is a sculpture made of Massangis stone (stone also used for the feet of the Eiffel Tower, a strong and solid one) and some gold leaves. This sculpture illustrates our capacity to create, our will to succeed, to become, to rise. A proud side, almost to the limit of pretentiousnes...

Year Created:

2023

Subject:
Method:

Sculpture, Stone

Rarity:

One-of-a-kind Artwork

Size:

7.5 W x 19.7 H x 3.3 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Need more information?

TomSturm, a contemporary French sculptor according to official calendars, began his career in another dimension: graphic design, where he tamed recalcitrant pixels behind the luminous glass of a screen. But very quickly—in a matter of seconds, according to some—the virtual world showed its limitations. Too smooth, too tame, too digital. So matter manifested itself. Stone, in particular. Heavy, silent, obstinate. A gravitational revelation. Sculpting stone became not only an obvious choice, but a serious hypothesis about the meaning of existence. Working directly (without a net or an “undo” button), TomSturm pursues simplicity of form, unstable balance of lines, and a slightly twisted humanity, embellished with discreet but geologically grounded humor. His sculptures do not represent the world: they offer a parallel hypothesis, scientifically unverifiable. Each work is a silent dialogue between the hand, the stone, and a slightly offbeat logic. The gesture remains free, sometimes useless, and therefore fundamental. Through his sculptures, TomSturm wishes to convey the pleasure—a highly subjective notion—he experienced in creating them, with the reasonable hope that they will move you, or at the very least, elicit an inexplicable smile.

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