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INVOLUTION Sculpture

María Eugenia Piacentini Veron

Spain

Sculpture, Ceramic on Ceramic

Size: 23.5 W x 25 H x 16 D in

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SOLD
Originally listed for $1,010
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About The Artwork

From humankind’s first steps on this earth, to the existential questions we have been asking ourselves throughout the millennia, what lies deepest inside us, deeper even than our roots and mental conceptualizations, is a sense of belonging to a whole. This intuition is ingrained in our primitive brain and struggles to divest itself of all superficial mimicry. From laws to dogmas, everything is superfluous in this disencumberment. In these times our exterior obliges us to examine our interior, the former being nothing more than an echo of the latter. It’s time for our true essence to guide us, leaving behind the socio-cultural legacy that blinds and binds us. It’s time to return to a moment before evolution stole our intuition.

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:23.5 W x 25 H x 16 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Self-taught and broaching a wide range of subjects, Eugenia trained in the La Palma Art School in Madrid and subsequently in the Francisco Alcántara School of Ceramics, having previously worked in a variety of disciplines including special effects. She has exhibited both individually and collectively in Madrid, Valladolid, Coburg, Paris, Singapore and Munich and is currently seeking a window onto the world as a platform through which she can communicate her subconscious messages. She concentrates on ceramics because she feels it is a spontaneous and faithful medium that allows her work to speak for itself, and considers herself as a cultural channel through which the world of ideas and magical expressions can be allowed to flow. The reality in which we live presents itself to her as the undiluted temptation to search for Truth through her work, perhaps in the search for existential doubts with an anthropological bias. Her focus on realism and tension through form is the audacious means by which she hopes to influence her audience. Her work is intended to both create and destroy empathies.

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