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5

View In My Room

Incubator Sculpture

Peter Cunis

United States

Sculpture, Ceramic on Ceramic

Size: 7 W x 8 H x 1 D in

Ships in a Box

This artwork is not for sale.

223 Views

5

ABOUT THE ARTWORK

Hand carved glazed ceramic tile, welded metal frame with metal nails welded to the outside. Metal hanger welded to the back of the frame. The primary photo captures the color, the extra photos with different lighting are showing the relief, sculptural and textural details (the color may not be exact in these extra photos). A hole underground offering some sort of protection from the outside, the figure breathes though a bladder-like object. My work typically references figures, animals and situations - visualizations in an illusory context, unconventional mostly but not always. I find skeletal forms beautiful. I wanted to make my painting subject matter into a dimensional relief format that would also be solid. The tile is painted red and gold leaf is applied on top to suggest tradition and illumination allowing light to play off it and to draw attention to the carved surface. Once dry, a coat of varnish is brushed on to protect seal it. The tile was completed earlier and it took some time to determine the proper framing structure. I wanted a perimeter of nails that was permanent. Welding everything was the solution. Shipped with foam blocks covering the nails, wrapped in bubble wrap and securely boxed.

DETAILS AND DIMENSIONS
Sculpture:

Ceramic on Ceramic

Original:

One-of-a-kind Artwork

Size:

7 W x 8 H x 1 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Currently living in Colorado. Medium/techniques: Drawing, painting (oil, alkyd and acrylic), wood burning (pyrography), ceramics, sculpture (assemblage, found object), collage. Artist Statement: “You have a unique personal vision”, was the reaction I got from a curator at an established Soho art gallery on West Broadway in New York City years back. He added, “Unfortunately, it’s not what our client base buys here”. It made sense. The day I was there, for their walk-in artwork/portfolio reviews, on the walls there were hanging very large photo-realistic oil paintings of horses. I thanked him for his suggestions and recommendations to take my work to some places in Greenwich Village. I like it when people are viewing my work and someone says, “I’ve never seen anything like this”. It’s both bad and good. Bad in the way that it might not directly connect with a movement, genre or artist. It doesn’t look like anything else out there. It’s good in the way that it might be considered idiosyncratic, perhaps unconventional; something new that might be referencing historical aspects, or not. I’m going for permanence and durability. From ceramic and metal to pyrography (wood burning) to paintings with or without gold leaf to assemblages including, or not, found objects. Figures, animals (intact, partial or skeletal), places and situations - visualizations in an illusory context.

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