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In figurative sculptures, the viewer's expectation is often close to reality. If one chooses special materials, here concrete, supplements this with details, glass eyes and eyelashes, then one creates fascination, but also rejection. Through the concrete, which as a material seems coarse, even brutal, hard, in conjunction with the eyes, realistic soft, dreamy, and the eyelashes, create these contradictions. As a technique I have worked with laminated concrete. The sculpture is therefore not full, but as a half shell. Thus, it is realitiv light and can therefore be easily placed on the wall or on a tripod.
In figurative sculptures, the viewer's expectation is often close to reality. If one chooses special materials, here concrete, supplements this with details, glass eyes and eyelashes, then one creates fascination, but also rejection. Through the concrete, which as a material seems coarse, even brutal, hard, in conjunction with the eyes, realistic soft, dreamy, and the eyelashes, create these contradictions. As a technique I have worked with laminated concrete. The sculpture is therefore not full, but as a half shell. Thus, it is realitiv light and can therefore be easily placed on the wall or on a tripod.
In figurative sculptures, the viewer's expectation is often close to reality. If one chooses special materials, here concrete, supplements this with details, glass eyes and eyelashes, then one creates fascination, but also rejection. Through the concrete, which as a material seems coarse, even brutal, hard, in conjunction with the eyes, realistic soft, dreamy, and the eyelashes, create these contradictions. As a technique I have worked with laminated concrete. The sculpture is therefore not full, but as a half shell. Thus, it is realitiv light and can therefore be easily placed on the wall or on a tripod.
In the comparison it becomes very clear that the eyes can arouse emotions in the viewer.
In figurative sculptures, the viewer's expectation is often close to reality. If one chooses special materials, here concrete, supplements this with details, glass eyes and eyelashes, then one creates fascination, but also rejection. Through the concrete, which as a material seems coarse, even brutal, hard, in conjunction with the eyes, realistic soft, dreamy, and the eyelashes, create these contradictions. As a technique I have worked with laminated concrete. The sculpture is therefore not full, but as a half shell. Thus, it is realitiv light and can therefore be easily placed on the wall or on a tripod.

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Kopf 1.1 Sculpture

Reinhard Riedel

Germany

Sculpture, Plastic on Stone

Size: 6.7 W x 14.6 H x 5.9 D in

Ships in a Crate

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Originally listed for $430

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ABOUT THE ARTWORK

In figurative sculptures, the viewer's expectation is often close to reality. If one chooses special materials, here concrete, supplements this with details, glass eyes and eyelashes, then one creates fascination, but also rejection. Through the concrete, which as a material seems coarse, even brutal, hard, in conjunction with the eyes, realistic soft, dreamy, and the eyelashes, create these contradictions. As a technique I have worked with laminated concrete. The sculpture is therefore not full, but as a half shell. Thus, it is realitiv light and can therefore be easily placed on the wall or on a tripod.

DETAILS AND DIMENSIONS
Sculpture:

Plastic on Stone

Original:

One-of-a-kind Artwork

Size:

6.7 W x 14.6 H x 5.9 D in

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I have been a professional painter and sculptor for a year. Before that, I spent 4 decades in senior positions in the IT field. Together with a partner I founded the art and culture network .

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Artist featured in a collection

Artist featured by Saatchi Art in a collection

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