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La China Poblana Sculpture

Gustavo Castillo

Mexico

Sculpture, Ceramic on Ceramic

Size: 9.8 W x 18.9 H x 7.9 D in

Ships in a Box

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This sculpture represent the Mexican female character of La China Poblana, and it's made of Talavera, an ancient ceramic technique with appellation of origin from the city of Puebla in Mexico (so it can not be done anywhere else in the world). I chose to use this technique because I think it represe...

Year Created:

2017

Medium:

Sculpture, Ceramic on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

9.8 W x 18.9 H x 7.9 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Mexico.

Customs:

Shipments from Mexico may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

My name is Gustavo Castillo, I'm an artist from Mexico and all of my artwork goes by my nickname "Oglinda", which, in romanian means "mirror". The word represents, simultaneously, everything that can be seen through the eyes of whom creates the piece and the one who appreciates the work of art, in this sense, the viewer, and the art object transmute into a mirror that reflects the constitutive aspects of cultural conditioning, as well as the person's own nature, which, in the face of the upcoming paradigm changes in current humanism, resulting from the developments of 4.0 technologies (such as bionic engineering, genetic engineering and artificial intelligence), may or may not be a fully human person. In this way, I'm looking foward to be more a symbolic idea in art than an artist, and, consequently, my main goal is to develop Oglinda as a future project that may represent the aesthetic diversity of the ever changing twenty-first century

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