




Sculpture, Other
3.7 W x 2.2 H x 3 D in
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This work was developed as part of a public art commission proposal exploring the neuroscience of memory for a dementia ward at Chelsea and Westminster Hospital. It represents the hipocampus, fornix and mamilary bodies that sit near the centre of the brain and process memory. I was struck by how t...
Year Created:
2016
Subject:
Styles:
Method:
Method:
Sculpture, Other
Rarity:
Limited Edition of 20
Size:
3.7 W x 2.2 H x 3 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.London sculptor Briony Marshall operates at the intersection of scientific inquiry and material investigation, pursuing a research-based practice that makes the imperceptible accessible through form. Her sculptures range from intimate bronze molecular structures to monumental rammed earth installations engaging communities in environmental dialogue.
With a Biochemistry degree from Oxford and art training at the Art Academy London, Marshall has developed a distinctive interdisciplinary methodology through both the Visualising Virology residency at Vanderbilt University’s Vaccine Centre (2024-25) and STEM artist in residence at Haileybury School (2024). Her public commission, ‘Layers of Bournemouth‘, received finalist recognition for the Marsh Award for Excellence in Public Sculpture.
Marshall is shown by Pangolin London and her work was recently featured in the landmark exhibition Presence: the figure in postwar and contemporary sculpture at Messums West. She draws inspiration from Rachel Carson’s observation that “those who contemplate the beauty of the earth find reserves of strength that will endure.“
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