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Sculpture, Bronze on Bronze
Size: 27.6 W x 54.3 H x 15.8 D in
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696 Views
5
bronze works from west Cameroon using skill of loose wax. Sculpture, man statue who try to get in touch with ancestor using this musical instrument. opening eyes to see over the spritual world Man, with his double in African sculptures. Through the chaos of African art motifs, it is the face of the man that appears in filigree. But what is the image of the man we discover behind the symbols? Man reveals himself behind an object according to the double dialectic: masculinity, femininity. Their synthesis expresses, within human destiny, the victory of life under the sign of fertility or perpetuity. The African man appears in this double dialectic as a conjunction in which it is impossible to separate in him the individual dimension of the social dimension. In the end, the symbolism is humanized and reflects the double dimension of man: the male and female dimension, the individual and social dimension. Man appears behind the language of the symbolic under his masculine face. And since it's about expressing by. Deficient means the fate of man, it will be schematized in a set of function expressed by signs. This is the technique of African art. A global expression like the human destiny of which it carries the message. Man under his double masculine and feminine face appears within the mystery of life and the struggle between life and death in a dramatic function. A function that is not the same for the male and for the woman. If in his function, the man is a being of conflict: hunter, warrior, leader of peoples, in struggle with the elements of his entourage Limited Edition 1 of 2
Bronze on Bronze
One-of-a-kind Artwork
27.6 W x 54.3 H x 15.8 D in
Not Framed
Not applicable
Ships in a Crate
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
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Anthropologist PhD, Adviser approved in traditional Bantu Art, graduated from Academy of Fine Arts, Professor of schools and colleges, cultural Manager."¢ Lecturer in Anthropology Consultant for purchase at the Museum of Arts and Traditions of Gabon (project design studies and evaluations of projects), ARTIST PROFILE Our works are part of a practice of anthropology: conception of the Universe or cosmos in Black Africa societies (animist cultures). The belief that nothing is inanimate, the world being a great living entity. Our universe is not only inhabited or populated by spirits, it has a soul that we could call "cosmic soul": All beings are united and part of that soul. Thanks to this unique order of things, man is also the parent of the spirits as the parent of the animal, plant and mineral world. All these entities being linked in a system whose engine is energy, power. The distributions or redistribution of these forces being the basis of myths and interpretations of phenomena the universe: The Totem, the twins, the birth, the trances, the death, the sickness, all these social residues of fear that are at the origin of African beliefs. All this gives a special place to art in these societies: work of the spirit, tool of social regulation, instrument for reaching the sacred we use the bronze, the wood, the terracotta in our sculptures to translate the Construction of the imaginary in traditional Africa: Art in animist societies where the prehistoric links between art and magic has never been broken. We inspire African myths: The cosmos, the ontological structure of human, these relationships with the universe in a system of energy movements, power or force.
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