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Mnemosyne Genos front view
Mnemosyne Genos side view
Mnemosyen Genos rear view
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Mnemosyne Genos in situ
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Mnemosyne Genos Sculpture

Charlayn von Solms

South Africa

Sculpture, Assembling on Found Objects

Size: 12.4 W x 23.6 H x 9.3 D in

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$3,350

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About The Artwork

In Hesiod's "Theogony", when Zeus has brought the cycle of oppression and revolution amongst the gods to an end he visits Mnemosyne in her cave. Together they produce nine daughters, known as the Muses. In this assemblage, as the collective Memory of the early gods, Mnemosyne represents the collection, preservation, and transmission of the histories of previous generations that sustains the culture and values of their descendants. She is presented as the combination of a mausoleum (cave, mound, pyramid, tomb) and a flowering/fruit-bearing plant. At her core sits a stone arrowhead, symbolic of technological innovation, violence, and the acquisition and defense of food and resources. Mnemosyne is the first work in the series "The Lost Consonants" which explores how Hesiod describes the origins and role of the Muses as providing guidelines for creating the ideal just and harmonious society. This assemblage was created using a dial telephone, Tastevin (win tasting cup); mirror, outside calipers, machine component, lamp-holder components, faucet handle lugs, plastic beads, wood, metal, marble, and paint. For a view in the round see the video on my Instagram page: https://www.instagram.com/reel/C47oMG_KXNr/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Details & Dimensions

Sculpture:Assembling on Found Objects

Original:One-of-a-kind Artwork

Size:12.4 W x 23.6 H x 9.3 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.

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