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"Moon Jar with Red Suns and Blue Birds" Sculpture

Jion Tak, South Korea

Sculpture, Casting of Ceramic

9.1 W x 9.7 H x 8.7 D in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$2,570

Shipping Included

14-day free returns

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This moon jar is inspired by the symbolism of coexistence and vitality. The red sun circles represent warmth, life, and renewal—while the blue bird motifs suggest community, freedom, and harmony. These birds are hand-drawn using the traditional Korean inlay technique (sanggam), in which fine engravi...

Year Created:

2023

Subject:
Method:

Sculpture, Casting of Ceramic

Rarity:

One-of-a-kind Artwork

Size:

9.1 W x 9.7 H x 8.7 D in

Ready to Hang:

No

Mounting:

Free-Standing

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

Need more information?

Need more information?

Tak Jion is a South Korean ceramic artist whose work is rooted in the philosophy of “Hee-Haeng” — coexistence, companionship, and a movement toward hope. To visualize this, she developed “Moorisae,” stylized bird forms that she has refined over years of exploration. Each bird is composed of 5 to 20 hand-carved lines, capturing the essence of flight and simplicity. When gathered as a flock, these birds create unified rhythms and emotional resonance, embodying the collective spirit of Hee-Haeng. Her inlaid ceramic slabs are entirely hand-carved and framed, using the traditional Korean sanggam technique — carving patterns into clay, filling them with colored slip, and refining the surface after drying. These works are not mere decorations, but conceptual spaces: records of movement, traces of emotion, and a quiet pursuit of connection. Through the Moorisae, Tak Jion builds a visual metaphor for moving together — in life, in hope, and in harmony.

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