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Muse ΑΟΙΔΗΝ in situ
Muse ΑΟΙΔΗΝ
Muse ΑΟΙΔΗΝ
Muse ΑΟΙΔΗΝ
Muse ΑΟΙΔΗΝ
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Muse ΑΟΙΔΗΝ Sculpture

Charlayn von Solms

South Africa

Sculpture, Found Objects on Stainless Steel

Size: 10 W x 19 H x 12 D in

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$2,100USD

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About The Artwork

Objects used: trivet, dart, trowel, washer clip, fishing reel, microscope stand, spherical clock weight, Eclipse piercing saw frame, brass oil can, swing arm desk lamp shade, brass rod, decorative lamp-holder component, depth gauge frame, coffee plunger pot component, wood, enamel paint. Muse ΑΟΙΔΗΝ is a depiction of one of the Muses that punished the singer Thamyris by depriving him of his voice, memory and ability to play his instrument in entry. This sculpture represents 'voice' as a harpoon. A means of capture and attraction across great distance. ΑΟΙΔΗΝ serves here an epithet of one of three Muses and refers both to Thamyris' 'divine' voice which was taken from him, but also the voice which poets such as Hesiod claimed the Muses had '"breathed into him". This work forms part of a series of nine sculptures entitled "Powell's Patterns 2, 11, 20, 25", which is a sculptural exploration of four contingents from the list of combatants in Homer’s Iliad. Superficially, the only link between these four catalogue entries are structural similarities first identified by the scholar Barry Powell. The sculptural series explores thematic links between these entries. For a view in the round see the video on my Instagram page: https://www.instagram.com/reel/C2hUQynqdU0/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

Details & Dimensions

Sculpture:Found Objects on Stainless Steel

Original:One-of-a-kind Artwork

Size:10 W x 19 H x 12 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The only artist on the planet who explores the compositional methods of ancient Greek poets through the medium of contemporary sculptural assemblage. Unique, obscure, and totally off-trend. In literary translation the content of oral-formulaic poetry is often more effectively conveyed than its form. The sculptural assemblages on this page serve as a visualization or ‘aesthetic translation’ of the formal artistry of two ancient Greek epics – Iliad and the Odyssey. The result is a visual exploration of correlations between what the poems say and how they say it. Each individual sculpture functions as a personification of a character from the Homeric epics. Each set of sculptures represents a ‘composite object portrait’ that depicts Homer not as a person, but as a continually adaptive constructive system.

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