155 Views
3
View In My Room
Sculpture, Wood
Size: 24 W x 24 H x 9 D in
Ships in a Crate
155 Views
3
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
There are many types of beliefs behind the good and bad juju but we believe in the most traditional ones. In India lemon and chili tied and hung outside the door the keep away malevolent eye is the most common sight to see. In my sculpture the lemon reflects the jovial atmosphere and bright Mediterr...
Year Created:
2020
Subject:
Styles:
Method:
Sculpture, Wood
Rarity:
One-of-a-kind Artwork
Size:
24 W x 24 H x 9 D in
Ready to Hang:
Yes
Mounting:
Wall-Mounted
Frame:
Brown
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
India.
Customs:
Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Need more information?
Nusrat Jahan's art is deeply rooted in feminist ideals, using bold colors, textures, and everyday objects to explore the complex desires and truths of women. Through her inventive compositions, she reflects on the unique challenges women face while celebrating their strength and resilience. Her art serves as a platform for self-expression, offering a voice free from societal judgment or rejection. Nusrat believes that men and women, both with equal rights and privileges, bring unique strengths and capabilities. When women's talents and perspectives are fully embraced alongside men's, together they can shape a more just and thriving world. She approaches her work with the belief that art is not just about reproducing what is seen but about expressing deeper truths. As she often says, 'I paint objects as I think them, not as I see them,' inviting viewers to engage with the conceptual depth and empowerment behind every stroke.
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