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Two layers of wood one fixed upon the other. This is the first piece in a series exploring solid shapes expressing fluidity. Strongly contrasting oranges and blues differentiate the two layers.

The sheets of wood create a three dimensional element and this is accentuated by the spaces within the work. So, here we find the wall where the piece is hung becomes the backdrop of the sculpture.

My fascination with disregarding the frame or conventional rectangle/square is at play here. I've retained the corners but I've allowed the rest of the outside lines to break, curve or continue straight.

A single recessed keyhole slot is installed on the back, the piece is ready to hang. The keyhole hanging method also allows the piece to hang flush to the wall.
Two layers of wood one fixed upon the other. This is the first piece in a series exploring solid shapes expressing fluidity. Strongly contrasting oranges and blues differentiate the two layers.

The sheets of wood create a three dimensional element and this is accentuated by the spaces within the work. So, here we find the wall where the piece is hung becomes the backdrop of the sculpture.

My fascination with disregarding the frame or conventional rectangle/square is at play here. I've retained the corners but I've allowed the rest of the outside lines to break, curve or continue straight.

A single recessed keyhole slot is installed on the back, the piece is ready to hang. The keyhole hanging method also allows the piece to hang flush to the wall.
Two layers of wood one fixed upon the other. This is the first piece in a series exploring solid shapes expressing fluidity. Strongly contrasting oranges and blues differentiate the two layers.

The sheets of wood create a three dimensional element and this is accentuated by the spaces within the work. So, here we find the wall where the piece is hung becomes the backdrop of the sculpture.

My fascination with disregarding the frame or conventional rectangle/square is at play here. I've retained the corners but I've allowed the rest of the outside lines to break, curve or continue straight.

A single recessed keyhole slot is installed on the back, the piece is ready to hang. The keyhole hanging method also allows the piece to hang flush to the wall.

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Objectify I Sculpture

Vince Smith

United Kingdom

Sculpture, Wood on Wood

Size: 36.5 W x 30 H x 0.8 D in

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$2,360

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383 Views

13

Artist Recognition
link - Featured in the Catalog

Featured in the Catalog

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Artist featured in a collection

ABOUT THE ARTWORK

Two layers of wood one fixed upon the other. This is the first piece in a series exploring solid shapes expressing fluidity. Strongly contrasting oranges and blues differentiate the two layers. The sheets of wood create a three dimensional element and this is accentuated by the spaces within the work. So, here we find the wall where the piece is hung becomes the backdrop of the sculpture. My fascination with disregarding the frame or conventional rectangle/square is at play here. I've retained the corners but I've allowed the rest of the outside lines to break, curve or continue straight. A single recessed keyhole slot is installed on the back, the piece is ready to hang. The keyhole hanging method also allows the piece to hang flush to the wall.

DETAILS AND DIMENSIONS
Sculpture:

Wood on Wood

Original:

One-of-a-kind Artwork

Size:

36.5 W x 30 H x 0.8 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Vince is a London born, Bath city based artist who's work offers an alternative to the conventional plane and shape of framed paintings by bringing his sculptural wall art to attention the viewer. He creates artworks that focus on the interaction of colours, shape and depth. The composition and palette choices are influenced heavily by his teenage years spent as a graffiti artist. The evolution of this, post-graffiti genre, is evident in his work by the way he carefully composes sculptures of spacial balance making use of geometric and abstract forms. Vince's skillset is based in fine woodworking that has been passed down through generations of Bauhaus orientated artisans in his family. The discovery of artists such as Paul Klee, Joan Miro and Wassily Kandinsky urged him to introduce colour to his sculptures. His artworks can be found in both private and corporate collections worldwide. The Bath Times have run features on his work over a number of publications. His pieces are constructed from premium birch ply. They are brush painted in artists quality acrylic paint.

Artist Recognition
Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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