527 Views
6
View In My Room
Sculpture, Lights on Paper
Size: 51 W x 59 H x 32 D in
Ships in a Crate
527 Views
6
Showed at the The Other Art Fair
Artist featured in a collection
Hand Made Paper (Hosho and kozo made in Japan papermaking workshop at Tokoshima) / gold and silver Chinese prayer papers / Japanese tissue / acrylic / stems of ivy plant / Fiberglas sheet / chicken wire / fluorescent ceiling fixture / curved wood base made by furniture artist, David Perry Concept: The effect of leaves kicked up and swirling in a whirlwind form. The papers from which the leaves were outlined were made of the discarded inner pulp of the kozo fiber. (Kozo outer bark produces a white paper while the inner bark is greenish.) Some of the background papers are white Hosho. The papers are sandwiched between chicken wire, covered with Japanese tissue reinforced with clear acrylic and surrounded with ivy stems. The central light core has a metal fixture with round fluorescent bulb and the top is capped with the plastic cover that comes with the fixture. This was one of the functional art/lamp pieces in the Paper Becoming Leaves series.
Lights on Paper
One-of-a-kind Artwork
51 W x 59 H x 32 D in
Not Framed
Not applicable
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
United States.
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Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles
Artist featured by Saatchi Art in a collection
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