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Parquet Screen: 2-sided screen Sculpture

Sandy Bleifer

United States

Sculpture, Paper on Paper

Size: 62 W x 32 H x 8 D in

Ships in a Crate

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Artist Recognition

link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

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Artist featured in a collection

About The Artwork

(Hinged 3-part folding screen) Recognizing that even printed papers that may not serve the purpose at hand my have an inherent beauty, I never throw away test prints if they are on archival paper. The small pieces are cut and pieced together in order to simulate wood parquet although they were originally printed to represent fire. This screen references Japanese shoji door patterns as well as decorative folding screens. It was part of a series of free standing, functional art objects for a Functional Art Exhibition. The front and the back are positive and negative use of the printed fragments and the silk covered paper.

Details & Dimensions

Sculpture:Paper on Paper

Original:One-of-a-kind Artwork

Size:62 W x 32 H x 8 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sandy Bleifer received her B.A. in Fine Arts at U.C.L.A. in 1962 and worked as an Artist in Residence, an art teacher, docent and publisher of curriculum materials in the arts. With the support of “Space”, a seminal Los Angeles gallery under the direction of Edward Den Lau, she exhibited and sold her work from the early ‘70s through 1997. The artist's work is in over 200 private and public collections worldwide. Her personal idiom began with silkscreen, collage and an exploration of of paper: a continuing discovery into its complex nature and its ability to serve as a metaphor for the world around us. Early in her career as an exhibiting artist, social and political activism crept into the mix. Soon she began creating art installations that became a focus and galvanizing force for the reconsideration of major historical events: the Holocaust and the bombing of Hiroshima and Nagasaki. In the mid-1990s she focused her attention on a pivotal moment in Los Angeles’ contemporary history: the revitalization of downtown LA. Now in recent years, she is further imbuing her art with a pro-active agenda using interactive installations, video and community engagement with threads that can be seen in her prior aesthetic concerns – paper as a metaphor for life, environment and the human condition.

Artist Recognition

Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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