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Partridge in a pear tree Sculpture

Lesley Anne Greene

United Kingdom

Sculpture, Clay on Ceramic

Size: 15.2 W x 30.5 H x 15.2 D cm

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Inspired by the song the twelve days of Christmas. Elegantly stylised 3D interpretation built and modelled by hand to delight the eye.

Year Created:

2018

Subject:
Medium:

Sculpture, Clay on Ceramic

Rarity:

One-of-a-kind Artwork

Size:

15.2 W x 30.5 H x 15.2 D cm

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Need more information?

Need more information?

Born 1954 in Otley,West YorkshireArt College trained and experienced secondary school teacher Lesley has been making,exhibiting and selling her figurative hand built ceramic sculptures since 1994 Inspiration for my earlier works came from my home life as well as a lifelong interest in museum artefacts,ancient history,myths and legends.Over the years I have revisited and recalled some of those elements to create my current collecton.The cat reliquary vessels are based on canopic jars and mummifiedforms from ancient egypt.They function on a decorative level but they could be used for the interrment of remains.Theunmodelled coils revealing the skeleton are intended as a visual metaphor for the purpose. Miu is the ancient egyptian word for cat.Feeline is a play on words and the desire to hold and touch the object. I aim to create the feeling of the ceremonial or sacred in many of mypieces but also think that humour is an important quality. Geisha was created to show originally at Potfest in Cumbria several years ago when there was a cultural exchange between Japan and the Lake District.I initially created two Kimonos to work out how I would construct the bigger piece but left them without the figure because I felt that they took on a lifeand movement of their own. Something which I hope to explore further in the future. The camel pieces began with the crowned camels Rex designedfor a christmas show and the story goes on.I have had a couple of opportunities to siton the back of a camel and I attempt to get the feel of the movement of the animal.

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