view additional image 1
My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form.

Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since.

Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.
My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form.

Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since.

Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.
My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form.

Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since.

Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.
My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form.

Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since.

Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.
My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form.

Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since.

Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.
fullscreen

View Fullscreen

heart

Add to Favorites

Power
View In My Room

VIEW IN MY ROOM

Power Sculpture

Carl Payne

United Kingdom

Sculpture, Bronze on Bronze

Size: 15.3 W x 23.6 H x 4.5 D in

Ships in a Crate

info-circle

check Shipping included

check 7 day money-back guarantee

info-circle
star-fullstar-fullstar-fullstar-fullstar-full Trustpilot Score

836

Views

16

Favorites

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

My sculpture is figurative art at its highest level. Each created piece becomes a doorway through which we can pass into that illusive dimension beyond the physical. Demand for my work allows me to give full reign to my creative impulses. I turn and turn again to the human figure for its drama, its narrative content and endless capacity for expressing the spiritual in line and form. Ideas for my sculptures arrive from many avenues, including Mythology, history, religion, music, which all evolve around the sacred feminine. This subject found me many years ago, and I have been fascinated with ever since. Whilst I work directly from my model, and aim to produce a faithful study of human form, I always interpret the study according to the appearance of the final piece. The idea is constantly evolving, until the casting in bronze. With the message and medium in mind, I have a great deal of involvement in the casting process, from the initial sculpting in wax to the final patination of a piece, I am able to use the process to convey a powerful sense of meaning in my work. The medium of cast bronze allows me to produce striking contrasts between smoothly sculpted forms and rough textured surfaces, areas of patination and polished bronze.

Details & Dimensions

Sculpture:Bronze on Bronze

Original:One-of-a-kind Artwork

Size:15.3 W x 23.6 H x 4.5 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 7-day, money-back guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support