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I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest.
It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.
I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest.
It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.
I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest.
It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.
I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest.
It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.
I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest.
It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.

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Raku face with moth Sculpture

Mieke Blees

United States

Sculpture, Ceramic on Ceramic

Size: 9 W x 9 H x 3 D in

Ships in a Box

SOLD
Originally listed for $377

85 Views

3

Artist Recognition
link - Featured in One to Watch

Featured in One to Watch

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Featured in the Catalog

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Artist featured in a collection

ABOUT THE ARTWORK

I recently finished this portrait-like piece. I've been fascinated by moths for a little while; they are reminiscent of butterflies, but heavier, denser, and nocturnal. They have an eerie beauty about them, and a symbolic meaning in some cultures, which seems easy to understand. This Raku fired piece has a lot of dimension and plays with the light. The white crackle glaze ads a lot of interest. It has two protuburences on the backside, from either which one it can hang with a sturdy nail or screw.

DETAILS AND DIMENSIONS
Sculpture:

Ceramic on Ceramic

Original:

One-of-a-kind Artwork

Size:

9 W x 9 H x 3 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For me art is about the wonder as well as the challenging things that start happening when you start playing with the world around you. Creating something allows for reflection and the surfacing of things that were perhaps subconscious at the time I felt an attraction toward a certain idea. Charcoal has been a favorite medium for a long time, as it responds so immediately and lightly to the touch, yet it can leave pretty impactful marks as well. I also like playing with paint, clay and collage. As I am quite introspective about my own experience, I can really feel the need to withdraw for some time in the studio to feel the freedom to play. I imagine that what comes forward in my personal expressions, can sometimes connect to a wider experience as well. I am interested in the urge to try to make things that don't particularly remind of familiar aesthetics, and things without a direct practical use. In other words; I am most interested in creating something autonomous, something that's defined by it's own rules. And in this day and age, postmodernism, with not many real rules to defy, maybe the biggest obstacle is getting beyond facades and obvious solutions. While I work I am often more interested in direct experiences, rather than idealized substitutes of reality, or conceptualizations of it. Theories, ideas, thoughts; they start the work, and then the making of it brings the opportunity to go beyond that. Biography I was born in 1982 in the Netherlands. I studied Fine Arts at the Willem the Kooning Academie in Rotterdam, and moved to North America right after graduating in search for wild and personal space. I currently mostly live in Northern California loving the trees and wildlife.

Artist Recognition
Featured in One to Watch

Featured in Saatchi Art's curated series, One To Watch

Featured in the Catalog

Featured in Saatchi Art's printed catalog, sent to thousands of art collectors

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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