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"Saguaro Shorties" Sculpture

Mary Shindell

Sculpture, Plastic

80 W x 40 H x 12 D in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

This artwork is not for sale.

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Saguaro Shorties, installation: digital drawings, styrene, Lucite tubes, LED lights, optical fiber, plant pots, 48”h.x80”w.depth variable, 2013.

Year Created:

2013

Subject:
Styles:
Method:

Sculpture, Plastic

Rarity:

One-of-a-kind Artwork

Size:

80 W x 40 H x 12 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

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Need more information?

Visually speaking, my fascination with the desert lies in the contrast of detail and vast space. This phenomenon is nowhere more apparent than in the light rays cast by a blistering sunset as they splinter through thousands of Saguaro needles. As Napoleon observed, “geography is destiny,” and the desert has made itself specific to my experience. In my work I try to depict what it is to be a desert dweller. I synthesize what I see, which can be the smallest detail extrapolated into a sweeping statement about the landscape. The feeling of standing in the desert is, perhaps, comparable only to that felt by those who have stood in outer space. Quite appropriately, I often combine satellite images and NASA images with detailed drawings of plant life I find near my studio. Consequently, planets and jet contrails often find themselves married to the prehistoric looking environment of the Sonoran Desert, wed to another by symmetry and juxtaposition. To this end, I use both traditional and nontraditional media. This allows me to use hand-drawn work in combination with computer-generated drawing. It also means I can push the boundaries of drawing out of the picture plane and use line, light, and space as a three-dimensional landscape drawing. As I look to the future, I hope to incorporate elements of the artistic process into the final product, effectively blurring the line between creation and installation.

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Curator - Erin Remington

Erin Remington, Curatorial Director