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"See No Evil" highlights three Japanese women embroidered on translucent silk in a folding screen of ample and brushed aluminum.  The ladies gaze from the screen intently, watching but not passing judgments as they speak, see and hear no evil.
"See No Evil" highlights three Japanese women embroidered on translucent silk in a folding screen of ample and brushed aluminum.  The ladies gaze from the screen intently, watching but not passing judgments as they speak, see and hear no evil.
"See No Evil" highlights three Japanese women embroidered on translucent silk in a folding screen of ample and brushed aluminum.  The ladies gaze from the screen intently, watching but not passing judgments as they speak, see and hear no evil.
embroidery on silk in folding screen of metal and wood
"See No Evil" highlights three Japanese women embroidered on translucent silk in a folding screen of ample and brushed aluminum.  The ladies gaze from the screen intently, watching but not passing judgments as they speak, see and hear no evil.
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See No Evil Sculpture

Blair Martin Cahill

United States

Sculpture, Fabric on Aluminium

Size: 60 W x 72 H x 2 D in

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$8,500

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About The Artwork

"See No Evil" highlights three Japanese women embroidered on translucent silk in a folding screen of ample and brushed aluminum. The ladies gaze from the screen intently, watching but not passing judgments as they speak, see and hear no evil.

Details & Dimensions

Multi-paneled Sculpture:Fabric on Aluminium

Original:One-of-a-kind Artwork

Size:60 W x 72 H x 2 D in

Number of Pieces:2

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

There are layers in all we see, do and present in our lives. These are the elements which we want to show, conceal, or perhaps only hint at. What is revealed is equally important to what is not, and both are needed to capture an entire vision. This is why I process visuals in layers. Working with an array of different materials, my work involves tiers that either reveal or correspond graphically to one another. I was traditionally trained, but am passionate about the new array of tools that are being presented and made available to artists. By combining traditional methods of foundry casting and textile production with modern technology, I can find endless inspiration. My new work encapsulates the traditional while juxtaposing modern and dissimilar materials, such as steel and silk.

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