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"Sekimori-Ishi — Loop Tension" Sculpture

Marika Kotani, Japan

Sculpture, Assemblage of Stone

3.1 W x 3.9 H x 2.8 D in

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This work will ship flat in a sturdy, well-protected cardboard box. Read More

$818

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

A sculptural gesture of loop and quiet tension. This one-of-a-kind Sekimori-Ishi is composed of a natural stone sourced in Niigata, Japan, paired with cotton rope. Sekimori-ishi (関守石) is a traditional marker used in Japanese gardens to indicate a boundary—not through force, but through suggestion....

Year Created:

2026

Subject:
Method:

Sculpture, Assemblage of Stone

Rarity:

One-of-a-kind Artwork

Size:

3.1 W x 3.9 H x 2.8 D in

Ready to Hang:

No

Mounting:

Other

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

Need more information?

Need more information?

I create contemplative objects that bridge ancient Japanese aesthetics and contemporary minimalism. Working with ancient natural materials sourced in Japan, I curate collections that invite a slower, more attentive relationship with matter and time. Stones, shaped by wind, water, volcanic forces, and centuries of environmental change, carry quiet traces of endurance and transformation. My practice is rooted in the Japanese philosophy of wabi-sabi, which recognizes beauty in imperfection, impermanence, and restraint. Rather than decorative objects, my works exist as functional art—pieces meant to be held, arranged, and quietly contemplated. Presentation is integral to the work. Collections are housed in traditional hinoki (Japanese cypress) boxes and wrapped in antique calligraphy paper, reflecting Japanese traditions of reverent containment and intentional display. Through this practice, I explore how ancient materials and traditional aesthetics can exist within contemporary life—inviting reflection on slowness, attention, and the quiet beauty of time made visible.

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