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Skyscraper n°5

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Skyscraper n°5 Sculpture

Lele De Bonis

Italy

Sculpture, Metal on Iron

Size: 15.7 W x 78.7 H x 15.7 D in

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About The Artwork

this work is the fifth in a series of studies on shadow and light. this is certainly the most complex and articulated work of the whole series. The sculpture is illuminated inside by a LED light that combines any type of color through the use of a remote control (you can therefore create any combination of colors at will). and a white light led bulb. On the back of the sculpture there is a door which, when opened, allows you to change the bulbs in case of malfunction or breakage. Skyscraper n 5 is made with food tin and is deliberately subjected to an oxidation process that will improve the visual impact over time. The sculpture, having a wooden skeleton, cannot be exhibited outdoors as the wood inside would risk being damaged.

Details & Dimensions

Multi-paneled Sculpture:Metal on Iron

Original:One-of-a-kind Artwork

Size:15.7 W x 78.7 H x 15.7 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1980, Lele De Bonis lives and works as a set designer for several companies in the theater, cinema, amusement parks and outdoor scenography sectors. At the same time he has developed a personal artistic path focused on the concept of recovery and assembly, through which he represents what strikes him most in real life. The human being is the center of his works and he usually represents it in a cynical and grotesque key, without ever condemning it. Wood and aluminum are the materials he uses the most. Beyond the message, their constructive juxtaposition allows him to play and experience infinite alchemical relationships between hot and cold materials. Starting from the concept of “ready made”, through his assemblages, Lele is constantly searching for an aesthetic dialogue aimed at creating a material and chromatic balance between the different materials within a composition. His works are a continuous alternation between explicit references to the current historical context and a more abstract, introspective research.

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