6 Views
0
View In My Room
Sculpture, Weaving on Wood
Size: 26.4 W x 23.2 H x 1.2 D in
Ships in a Box
Shipping included
14-day satisfaction guarantee
Trustpilot Score
6 Views
0
Showed at the The Other Art Fair
Artist featured in a collection
In this work, I have reinterpreted Hilma af Klint’s petal forms she used as symbols throughout her work. I’m particularly interested in her use of the sacred geometric symbol of vesica piscis which I have interpreted as the the interface of the spiritual and physical worlds. The viewer is invited to look into the multiple layers of this work and see it is a representation of these two worlds. My work references the intersecting of the petals – the vesica piscis – as a commentary of the how the invisible, non-material realm can uncover the psyche of human’s place in the landscape. While weaving these, something very unexpected happened. Everyday I went for a swim in the river and there are beautiful dragonflies flying all around me. A couple of times as I sat in the river and a dragonfly would land on each knee. After I nearly finished this series and I was looking at their wings close in front of me on my knees and I realised that this series all have 4 petals – like 4 dragonfly wings. And the weaving looks exactly like their delicate wings. So I’ve captured them as well. The petals are rattan waste from a cane furniture factory in France, with layers of charcoal and ash of burnt wood from fallen trees in Domaine de Bois Bouchet. The copper wire is an interpretation of the ancient basketry technique of looping.
Weaving on Wood
One-of-a-kind Artwork
26.4 W x 23.2 H x 1.2 D in
Not applicable
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Australia.
Please visit our help section or contact us.
Australia
Catriona Pollard’s unique sculptural work offers glimpses of shapeshifting natural forms, from unnoticed branches, leaves and seedpods into stunning works that celebrate the abundance of nature. She uses foraged and discarded plant material with traditional basketry and assemblage techniques to reimagine nature. Her work is emotionally authentic, uniquely contemporary, and visually stunning. Her work highlights the link between raw foraged organic materials, like vines and seed pods, with earthy materials like base metals including copper, and natural elements like charcoal, clay and ash. Most contains nothing but the organic material – no glue or synthetic dyes, and most don’t even use anything to bind it together, such as thread or wire. She uses nature as a way to connect with people that goes beyond physical beauty but touches them in a personal and profound way. Transforming discarded organic material into sculptures forces people to view the natural world around them in a different way. It transforms the inherent beauty of nature into moments that encourage reflection and connection. The forms she weaves tell stories relating to friends, family and experiences. They are about truly seeing the extraordinary in everyday moments. Simply, it’s about being still, and letting the beauty surface. Catriona has had a number of solo exhibitions and exhibited extensively in selected and group exhibitions. She has been shortlisted as many art awards including Emerging Artist of the Year Craft NSW, finalist Ravenswood Women’s Art Prize, Northern Beaches Art Prize, North Sydney Art Prize, Warringah Art Prize, and Mosman Art Gallery.
Handpicked to show at The Other Art Fair presented by Saatchi Art in Sydney, Sydney
Artist featured by Saatchi Art in a collection
We deliver world-class customer service to all of our art buyers.
Our 14-day satisfaction guarantee allows you to buy with confidence.
Explore an unparalleled artwork selection by artists from around the world.
We pay our artists more on every sale than other galleries.