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"Subtopia(white12)" Sculpture

Yunguk Jo, South Korea

Sculpture, Acrylic

32.4 W x 40.4 H x 9.8 D in

Framed, Ready to Hang

$6,390

Shipping Included

14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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“The meaning of building ruins.” The fact that ruins exist, or the prospect that everything will return to ruins, once again cracks the belief that the current world will be eternal. This means that the current world will also be lost someday. This closed city, which combined without any gaps and ex...

Year Created:

2023

Subject:

Method:

Sculpture, Acrylic

Rarity:

One-of-a-kind Artwork

Size:

32.4 W x 40.4 H x 9.8 D in

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

South Korea.

Need more information?

Contact us.

Need more information?

Contact us.
Yunguk Jo

About the Artist

Yunguk Jo

South Korea

Jo Yun Guk (Korean, b.1985) has been facing up to the universal problems of modern society under the central theme of Space, Memory, and Loss, and he has been continuously presented the series of 'Room for Artist', 'Modern Monument', and 'Lost Island' based on the artist's own style of sculpture that across figurativeness and abstractiveness.
Starting with the first solo exhibition in 2011, he has participated in numerous solo, group exhibitions and the Biennale at major art institutes. Along with lively global activities like New York, London, Paris, and Shanghai, he have been introduced to the world as a notable contemporary korean artist by global art publisher SKIRA. Jo makes us contemplate the fundamentals of Fine Art through his distinctive labour-intensive and delicate work, and look forward to the next from the developmental aspect of constant concerns and experimentations on materials and forms.

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