VIEW IN MY ROOM
United Kingdom
Sculpture, Fiberglass on Glass
Size: 15.7 W x 67.3 H x 15.7 D in
Ships in a Crate
This sculpture is part of a collection created in response to the often voluptuous and colourful architecture of Buddhist Temples. Travels to Thailand, Vietnam, Sri Lanka and Bali with sketchbook and camera inspired the designing and making of these one off large scale works in my UK studio. The aim of each work is to bring a contemplative focal point of shape, colour and texture to a garden/ patio or conservatory space all year round.
Sculpture:Fiberglass on Glass
Original:One-of-a-kind Artwork
Size:15.7 W x 67.3 H x 15.7 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
I am a contemporary fine artist. My goal? To celebrate and challenge the art of mosaic. Colour underpins everything I create. The approach: intuitive. In my work over twenty five years I have developed a striking and vibrant style. The work has included architectural wall and floor features, decorative pieces and sculptures. Whilst developing my sculptural practice I was one of the first in Britain to import concrete construction techniques specifically for mosaic making from North America. This led to my recent postgraduate enquiry into how to translate fragment to form. To take the tile (tesserae) from the surface and make it the object in itself. After all, mosaic originated in Roman construction techniques, it did not begin as decoration. Experience in working to commission for private, corporate and public clients has equipped me with a broad spectrum of skills. They range from design and making to fine judgement about enhancing a space. It is underpinned by a careful interpretation of the clients’ requirements. The art of mosaic, often overlooked and undervalued, is rich in culture, materials and skill. It’s traditions and versatility I continue enthusiastically to embrace. My purpose? To stimulate discussion about the mosaic-making process and to contribute to its' position as both a craft and a fine art form. Currently I focus on producing new sculptural artwork for exhibition and sale.
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