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You can buy only the piece of of meat. The figure is made mostly from EPS (expondent polystyrene), which is traditionally used for insulation of building facades. It’s a characteristically long-lasting and dense material. A figure created from this material, however, is quite fragile. To prevent damage, a layer of two-component resin is applied to coat the surface of the figure. This layer protects against the sun, high temperature, and rain, so it aids in creating a figure that can be exhibited and stored outdoors. As the figure is not heavy, it is easily transported.

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The Butcher's Wet Dream Sculpture

Tibor Lazar

Serbia

Sculpture, Clay on Wood

Size: 32.3 W x 23.6 H x 7.9 D in

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$1,570

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466 Views

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Artist featured in a collection

ABOUT THE ARTWORK

You can buy only the piece of of meat. The figure is made mostly from EPS (expondent polystyrene), which is traditionally used for insulation of building facades. It’s a characteristically long-lasting and dense material. A figure created from this material, however, is quite fragile. To prevent damage, a layer of two-component resin is applied to coat the surface of the figure. This layer protects against the sun, high temperature, and rain, so it aids in creating a figure that can be exhibited and stored outdoors. As the figure is not heavy, it is easily transported.

DETAILS AND DIMENSIONS
Sculpture:

Clay on Wood

Original:

One-of-a-kind Artwork

Size:

32.3 W x 23.6 H x 7.9 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I reconstruct and transform idealized visual codes from the great historic eras. I attempt to follow the changes they go through, manipulate them and with them, from a more distant position, in terms of time and history. At times, I play with the canons of the past, treating them with nostalgia or irony, aware of their changeability and instability. To achieve this, I use the tools of the movements of the margins, often using spray paint and other materials for expression that are favoured by these movements. My hope is to establish a sort of meeting between seemingly opposing esthetic and art strategies in my works. The turn of the century and the culture of street art, two very distant and, at first glance, different worlds meet and intertwine in my works. I attempt to find the connections between the past and the present – their parallels and collisions.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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