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Sculpture, Resin on Other
Size: 13 W x 33 H x 11 D in
Ships in a Crate
Artist featured in a collection
Resin metal and cement composite, 24 ct gold leaf, steel scaffold pole, pine scaffold board The Gentrifier, part of the Perfect Imperfection - The Art of Healing collection, focuses on the healer rather than the healed. However, the idea of regeneration may only be skin deep. My work is concerned with identity and a personal obsession of what hides behind a face. I try to translate the inner being through a disrupted surface, creating new and different visual conversations. Processes of destruction and repair investigate aspects of trauma and healing, rejuvenation and change. From figurative realism to material led abstraction I am discovering ways of paralleling the process of making with altered states and adapted minds in a quest to explore the makeup of our identity.
Sculpture:Resin on Other
Size:13 W x 33 H x 11 D in
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
I sculpt portraits - seeking to interrogate identity through form, form with authorship, process and time. I aim to project the immaterial as material. Posing questions of the innate and the imbued - nature verses nurture Mapping the inside outside, creating a visual diary - a narrative to make sense of who we are and what it is to be human Inspired by portrait art of the past, from broken ancient artifacts to Old Masters and the philosophical ideas of Kintsugi, my work often involves destruction and repair, realism and abstraction, paralleling the process of making with altered states and adapted minds. I try to translate the inner being through a disrupted surface, creating new and different visual conversations. Using the traditional skills of realistic portrait sculpture as a point of departure, I experiment with colour to deceive and processes of making, destroying and repairing as a metaphorical journey of trauma and healing - the scars of life – a way of trying to make sense of what it is to be human, a way of trying to make sense of who I am. Member Royal Society of Sculptors Member Society of Portrait Sculptors Born in Northumberland in 1965, Billie Bond grew up in Essex and continues to live there now. An early career in nursing gave her an appreciation of human anatomy, which she considers sensitively in her figurative representations. Billie gained a 1st class Honours Degree in 3D Design 2011 at Colchester School of Art where she is now studying for an MA in Sculptural Practice. Her 20 years experience as a designer-maker includes designing children’s furniture, interiors, interior decorating and painting murals. During studies, her creative ideas were expressed in the form of figurative sculpture. She has guest-lectured in portrait sculpture at The Art Academy, London and has some of her work published in Modelling & Sculpting the Figure by Tanya Russell (2012). Inspired by broken ancient artefacts as fragments of social being, Billie uses this notion to create figurative works that question the lives of everyday people around her. In 2009 Billie sculpted on the 4th Plinth in Trafalgar Square as part of Anthony Gormley’s ‘One & Other’. Listen to interview below.
Artist featured by Saatchi Art in a collection
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