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The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina.
When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture. I wanted to find some kind of musical line, expressive movement in space, amplifying the effect by exaggeration of proportions and a sharp turn of the head of the gazelle.


Size: 74 x 32 x 10.5 cm
Material: Patinated bronze
Limited edition: 2/7 (Signed and numbered on the inside of the hindlimb)
2017
The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina.
When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture. I wanted to find some kind of musical line, expressive movement in space, amplifying the effect by exaggeration of proportions and a sharp turn of the head of the gazelle.


Size: 74 x 32 x 10.5 cm
Material: Patinated bronze
Limited edition: 2/7 (Signed and numbered on the inside of the hindlimb)
2017
The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina.
When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture. I wanted to find some kind of musical line, expressive movement in space, amplifying the effect by exaggeration of proportions and a sharp turn of the head of the gazelle.


Size: 74 x 32 x 10.5 cm
Material: Patinated bronze
Limited edition: 2/7 (Signed and numbered on the inside of the hindlimb)
2017
The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina.
When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture. I wanted to find some kind of musical line, expressive movement in space, amplifying the effect by exaggeration of proportions and a sharp turn of the head of the gazelle.


Size: 74 x 32 x 10.5 cm
Material: Patinated bronze
Limited edition: 2/7 (Signed and numbered on the inside of the hindlimb)
2017
The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina.
When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture. I wanted to find some kind of musical line, expressive movement in space, amplifying the effect by exaggeration of proportions and a sharp turn of the head of the gazelle.


Size: 74 x 32 x 10.5 cm
Material: Patinated bronze
Limited edition: 2/7 (Signed and numbered on the inside of the hindlimb)
2017

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The Guest Sculpture

Daniel Mille

Poland

Sculpture, Bronze on Bronze

Size: 12.6 W x 29.1 H x 4.1 D in

Ships in a Crate

SOLD
Originally listed for $5,090

102 Views

10

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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The second bronze cast of the work "The guest" had been waiting long for its turn. And finally, at the beginning of the magnificent, warm August the stars aligned and the sculpture got its patina. When I was doing this work I tried to escape the influence of a clearly academic approach in sculpture....

Year Created:

2017

Subject:
Medium:

Sculpture, Bronze on Bronze

Rarity:

One-of-a-kind Artwork

Size:

12.6 W x 29.1 H x 4.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Belarus.

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Daniel Mille is an artist from Minsk (Belarus). In his works you can see both classical plastics and more generalized solutions. The sculptures of Daniel are all made by means of the same technologies that were used in ancient times for casting bronze sculptures. Thus, we can feel the antiquity not only in the finished work, but also in the creative act itself. The presence of hand-made, warmth of traditional craft is very important for the artist. The sculptor is in the constant condition of searching. On the one hand he can make more primitive, solid shapes, but on the other hand we see almost the jewelry work, filled with various tiny details and ornaments. His compositions can remind us of the Greek archaic, the sacred images of the Ancient East, Egyptian sculptures thoroughly carved from stone. Today the world has its own tendency in development of the art (and not only the art). There is always a constant need to create something utterly new, something that has not ever existed before. There is a tendency to divide art into two poles: old (or outdated) art and contemporary (often associated with the progressive). Daniel does not divide art in any way, because new directions do not cross out the old ones, but open up other ways of expression, expand the range of creative possibilities. Therefore, in his search, the author cannot rely exclusively on some logical constructions or modern tendencies, neglecting the will of the senses. Spirit always determines the matter, not vice versa.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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