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"The Norns - unique piece" Sculpture

Melanie Rundel-Milzner, Germany

Sculpture, Carving of Bronze

5.9 W x 4.1 H x 4.3 D in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

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$55,090

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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One of a kind, a unique piece! 3 women spin the thread of life. The first, a young girl, pulls the individual strands out of an abstract cube. The second, a woman in full bloom, twists the thread of life into a rope. She has a discerning look upwards...what does she notice? And the third Norn, a...

Year Created:

2023

Subject:
Method:

Multi-paneled Sculpture, Carving of Bronze

Rarity:

One-of-a-kind Artwork

Size:

5.9 W x 4.1 H x 4.3 D in

Number of Pieces:

2

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Germany.

Customs:

Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Artistic career As a teenager I was interested in body shapes, I drew many nudes with charcoal, about 2 meters high, and various shapes modeled with different materials. In my first job I learned how to use modeling wax and started making small sculptures out of wax. In 2003 I began my career as a freelance artist in the “Sinworks” studio. After moving to Varel, I renamed the studio “Dangast-Bronze”. My influences In the beginning my work was dark and morbid and based on the Gothic world, which I felt connected to for almost two decades. I deal with physical decay and the tension between seduction and damnation. Little by little, a field of tension emerged between the beauty and clarity of Pre-Raffelite painting on the one hand and an aesthetic of decay from the Gothic world on the one hand. I have always been interested in mythical and spiritual figures. The longing for power over the physical is visible in my work. I studied medieval art and worked on new, contemporary variations of the Memento Mori.

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