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A contemporary amores...acrylic on resin

Reconstructed Expressionism-The deconstruction of commonality and accepted visual aesthetic for greater beauty and sensory consciousness..
A contemporary amores...acrylic on resin

Reconstructed Expressionism-The deconstruction of commonality and accepted visual aesthetic for greater beauty and sensory consciousness..
A contemporary amores...acrylic on resin

Reconstructed Expressionism-The deconstruction of commonality and accepted visual aesthetic for greater beauty and sensory consciousness..

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The Samurai Oda- A Living Painting Sculpture

Jon Parlangeli

United States

Sculpture, Paper on Other

Size: 13 W x 17 H x 13 D in

Ships in a Box

SOLD
Originally listed for $1,075

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ABOUT THE ARTWORK
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A contemporary amores...acrylic on resin Reconstructed Expressionism-The deconstruction of commonality and accepted visual aesthetic for greater beauty and sensory consciousness..

Year Created:

2017

Medium:

Multi-paneled Sculpture, Paper on Other

Rarity:

One-of-a-kind Artwork

Size:

13 W x 17 H x 13 D in

Number of Pieces:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Need more information?

DETROIT PAINTER-my work is seeded in process painting and material discovery. Elements of sculpture often show up in the work (Thank you John Chamberlian), and through process and experimentation the works become a conglomeration of powerful visual elements. Simultaneously, and subconsciously, they also become infused with natural history, modern thought and perception. Still, process is everything to my work, and generally outweighs the final product in terms of importance because of the informational and emotional release of creation. My current body of work is focused surface primarily using the figure as both reference and lesson. These paintings exist, with their own distinct voice, somewhere in between de Kooning's women and Schnabel's plate paintings. To me they are the answer to surface and movement I have been searching for over many years. They represent a strong personal understanding of where we are as a people today...complicated, ever changing as we experience innovation, age, possibly religion and the grit of life. They are predatory as we are as a species, hedonistic as ever and become an amalgamation of beauty.

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