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Torso I - patinated bronze 35 W x 53 H x 37 D cm Sculpture - Limited Edition of 2

Cornelia Anthonia Van Vugt

Netherlands

Sculpture, Bronze

Size: 13.8 W x 20.9 H x 14.6 D in

Ships in a Crate

This artwork is not for sale.

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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In this image the intention is to show the graceful form of the sculpture. Viewed through the eyelashes, it is an interesting abstract form. My source of inspiration are the ancient Greek statues that have become more beautiful due to the loss of some pieces. The material is patinated bronze, gives ...

Year Created:

2000

Subject:
Method:
Method:

Sculpture, Bronze

Rarity:

Limited Edition of 2

Size:

13.8 W x 20.9 H x 14.6 D in

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Need more information?

Lia van Vugt was born in 1945 on Goeree Overflakkee. After the gymnasium in Roosendaal she followed the Monumental Design course at the 'Artibus' academy in Utrecht. The lessons in the studio of the sculptor Jan van Luyn were especially important here. From 1976 to 1978, Van Vugt studied sculpture at the Jan van Eyck Academy in Maastricht, at the time the only postgraduate institute in the Netherlands. In 1977 Van Vugt received a stipend from the Italian Cultural Institute for further studies at the Brera Academy in Milan. Lia van Vugt's sculptures are not primarily conceived from nature, they are independent objects that follow their own rules. The most important rule is that the image can be viewed from all sides, from below, from above, from the side. It is about how the image intervenes in the space around it. Van Vugt strives for a certain 'abstraction'. This is a result of her striving to create an autonomous image, an image that is independent of a prescribed context and that has itself as a reference. A good image slowly emerges. It takes an infinite amount of time and monomaniac attention. Taking something away here, adding something there, it is a matter of millimeters. The manual process is a form of meditation, of talking to yourself without knowing exactly what you are saying. "The image is good," says Van Vugt, "when the eyes can wander over it and discover new things all the time." Lia van Vugt has an admirable and rare mastery of the sculptor's craft. She practices both modeling and heeling. She works in textiles, wood, stone, bronze, glass and other materials such as rubber and plastic.

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