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Sculpture, Ceramic
Size: 16.1 W x 16.1 H x 5.9 D in
Ships in a Crate
14 Views
0
The sacred symbol of the Tree of Life, represented in the work, appears in the most varied mythologies and refers us to ideas of harmony, protection, balance, wisdom and enlightenment. In this work, the artist recreates the large trees that are present in his astral projections: their leaves that gr...
2022
Sculpture, Ceramic
One-of-a-kind Artwork
16.1 W x 16.1 H x 5.9 D in
Yes
Wall-Mounted
White
Certificate is Included
Ships in a Crate
Shipping is included in price.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Brazil.
Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.
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The beginning of my artistic career takes place between the time when as a child I expressed myself through modeling and drawings - and I demonstrated a certain ease in geometry, and the moment when I started to graduate in Interior Design - and I was able to have a greater contact with the formal aspects of art and an authorial artistic production. I consider the period of social isolation, caused by the covid-19 pandemic, essential for my journey, in which I had the possibility of immersing myself in my production and articulating theoretical currents, which I have studied and experienced for some time. Since then, I have been experiencing healing through alternative therapies that make use of sacred symbols, crystals, and chromotherapy that have influenced the materiality of my artwork. My research takes place in the field of nature and mysticism and has a deep connection with physics and technology, due to my extensive professional experience with engineering and automation projects. Through the interlocution between these fields, I experiment with mirrors, glasses, led, acrylics, crystals, cold porcelain and woods, and crystals with their potential to balance the energy fields around them. I try, then, to awaken the spectator about the power and complexity of nature and, also, the varied possibilities we have to interpret and live it.
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