Skip to Main Content

view additional image 1
On the wood forms:

If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down over the bumps and hills and winding streets and rivers. Underlying this all is an unmovable presence, a field of stillness and peace which never wavers. This is the life force which binds us with other forms on the planet and it is this which I bring into my sculptures through metaphor, dancing intimately and intrinsically with the physical material — the space and emptiness surrounding the form, without which the form could not exist.

On the concept:

How much of our life is owed to the colourings our thoughts give to the picture? This piece entitled "Ungraspable Truth No.1" refers to insights fundamentally arising outside the field of thought and therefore the futility of the search and effort to find truths through analysis or thinking. Trying to chew one's own teeth is a good metaphor. The thinking mind cannot see its own nature because any attempt to see itself is still within the dimension of thought. An insight into this whole mechanism is required for the arrival of a wholistic truth.

On the form and material:

Freestanding and structural, organic and harmonious — the form succeeds in supporting itself with gravity. Within this structural balance we find a dynamic interplay of parts, engaged and interacting in subtle yet powerful ways. With the metaphysical concept outlined above, motion and exchange plays a pivotal part in the piece. An evasive and life-like entity is sculpted with abstract representations of deep human perceptions. The smooth twists and surfaces are reminiscent of plant life and animal physiology.

The carving block consists of one piece of wood. The surface is waxed with a beeswax/mineral oil mixture. This brings out the richness in the colour and adds a matte coating. The horizontal grain pattern contributes to the balanced serenity of the piece.
On the wood forms:

If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down over the bumps and hills and winding streets and rivers. Underlying this all is an unmovable presence, a field of stillness and peace which never wavers. This is the life force which binds us with other forms on the planet and it is this which I bring into my sculptures through metaphor, dancing intimately and intrinsically with the physical material — the space and emptiness surrounding the form, without which the form could not exist.

On the concept:

How much of our life is owed to the colourings our thoughts give to the picture? This piece entitled "Ungraspable Truth No.1" refers to insights fundamentally arising outside the field of thought and therefore the futility of the search and effort to find truths through analysis or thinking. Trying to chew one's own teeth is a good metaphor. The thinking mind cannot see its own nature because any attempt to see itself is still within the dimension of thought. An insight into this whole mechanism is required for the arrival of a wholistic truth.

On the form and material:

Freestanding and structural, organic and harmonious — the form succeeds in supporting itself with gravity. Within this structural balance we find a dynamic interplay of parts, engaged and interacting in subtle yet powerful ways. With the metaphysical concept outlined above, motion and exchange plays a pivotal part in the piece. An evasive and life-like entity is sculpted with abstract representations of deep human perceptions. The smooth twists and surfaces are reminiscent of plant life and animal physiology.

The carving block consists of one piece of wood. The surface is waxed with a beeswax/mineral oil mixture. This brings out the richness in the colour and adds a matte coating. The horizontal grain pattern contributes to the balanced serenity of the piece.
On the wood forms:

If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down over the bumps and hills and winding streets and rivers. Underlying this all is an unmovable presence, a field of stillness and peace which never wavers. This is the life force which binds us with other forms on the planet and it is this which I bring into my sculptures through metaphor, dancing intimately and intrinsically with the physical material — the space and emptiness surrounding the form, without which the form could not exist.

On the concept:

How much of our life is owed to the colourings our thoughts give to the picture? This piece entitled "Ungraspable Truth No.1" refers to insights fundamentally arising outside the field of thought and therefore the futility of the search and effort to find truths through analysis or thinking. Trying to chew one's own teeth is a good metaphor. The thinking mind cannot see its own nature because any attempt to see itself is still within the dimension of thought. An insight into this whole mechanism is required for the arrival of a wholistic truth.

On the form and material:

Freestanding and structural, organic and harmonious — the form succeeds in supporting itself with gravity. Within this structural balance we find a dynamic interplay of parts, engaged and interacting in subtle yet powerful ways. With the metaphysical concept outlined above, motion and exchange plays a pivotal part in the piece. An evasive and life-like entity is sculpted with abstract representations of deep human perceptions. The smooth twists and surfaces are reminiscent of plant life and animal physiology.

The carving block consists of one piece of wood. The surface is waxed with a beeswax/mineral oil mixture. This brings out the richness in the colour and adds a matte coating. The horizontal grain pattern contributes to the balanced serenity of the piece.
On the wood forms:

If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down over the bumps and hills and winding streets and rivers. Underlying this all is an unmovable presence, a field of stillness and peace which never wavers. This is the life force which binds us with other forms on the planet and it is this which I bring into my sculptures through metaphor, dancing intimately and intrinsically with the physical material — the space and emptiness surrounding the form, without which the form could not exist.

On the concept:

How much of our life is owed to the colourings our thoughts give to the picture? This piece entitled "Ungraspable Truth No.1" refers to insights fundamentally arising outside the field of thought and therefore the futility of the search and effort to find truths through analysis or thinking. Trying to chew one's own teeth is a good metaphor. The thinking mind cannot see its own nature because any attempt to see itself is still within the dimension of thought. An insight into this whole mechanism is required for the arrival of a wholistic truth.

On the form and material:

Freestanding and structural, organic and harmonious — the form succeeds in supporting itself with gravity. Within this structural balance we find a dynamic interplay of parts, engaged and interacting in subtle yet powerful ways. With the metaphysical concept outlined above, motion and exchange plays a pivotal part in the piece. An evasive and life-like entity is sculpted with abstract representations of deep human perceptions. The smooth twists and surfaces are reminiscent of plant life and animal physiology.

The carving block consists of one piece of wood. The surface is waxed with a beeswax/mineral oil mixture. This brings out the richness in the colour and adds a matte coating. The horizontal grain pattern contributes to the balanced serenity of the piece.
On the wood forms:

If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down over the bumps and hills and winding streets and rivers. Underlying this all is an unmovable presence, a field of stillness and peace which never wavers. This is the life force which binds us with other forms on the planet and it is this which I bring into my sculptures through metaphor, dancing intimately and intrinsically with the physical material — the space and emptiness surrounding the form, without which the form could not exist.

On the concept:

How much of our life is owed to the colourings our thoughts give to the picture? This piece entitled "Ungraspable Truth No.1" refers to insights fundamentally arising outside the field of thought and therefore the futility of the search and effort to find truths through analysis or thinking. Trying to chew one's own teeth is a good metaphor. The thinking mind cannot see its own nature because any attempt to see itself is still within the dimension of thought. An insight into this whole mechanism is required for the arrival of a wholistic truth.

On the form and material:

Freestanding and structural, organic and harmonious — the form succeeds in supporting itself with gravity. Within this structural balance we find a dynamic interplay of parts, engaged and interacting in subtle yet powerful ways. With the metaphysical concept outlined above, motion and exchange plays a pivotal part in the piece. An evasive and life-like entity is sculpted with abstract representations of deep human perceptions. The smooth twists and surfaces are reminiscent of plant life and animal physiology.

The carving block consists of one piece of wood. The surface is waxed with a beeswax/mineral oil mixture. This brings out the richness in the colour and adds a matte coating. The horizontal grain pattern contributes to the balanced serenity of the piece.

127 Views

20

View In My Room

Ungraspable Truth No.1 Sculpture

Mike Sasaki

Canada

Sculpture, Wax on Wood

Size: 4 W x 4 H x 3.5 D in

Ships in a Box

SOLD
Originally listed for $600

127 Views

20

Artist Recognition
link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

On the wood forms: If you are new to my work, welcome to the abstract world of the wood forms. I strive to find dynamic and strong expressions of life's puzzles, ironies and the human condition. In our journey together as a species we travel across the landscape of experience, riding up and down ov...

Year Created:

2018

Subject:
Mediums:
Medium:

Sculpture, Wax on Wood

Rarity:

One-of-a-kind Artwork

Size:

4 W x 4 H x 3.5 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

14-day return policy. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Canada.

Need more information?

Need more information?

Art website: mikesasaki.com I was born in Toronto, Canada. I graduated from the Bachelor of Design Honours program at York University / Sheridan College in 2005. I lived in Tokyo, Japan for 5 years where I was immersed in traditional and modern Japanese culture. The martial arts philosophies have strengthened the peaceful aspects of my sculpture. In my search for a hands-on approach to life and work, I had found sculpting in wood like an epiphany. I am currently living in Metro Vancouver and focusing on the metaphysical line of wood sculptures. Art website: mikesasaki.com

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands of 5-Star Reviews

We deliver world-class customer service to all of our art buyers.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Global Selection of Emerging Art

Explore an unparalleled artwork selection by artists from around the world.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.