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this work is a reworking of an old image of King Vittorio Emanuele II, sovereign of Italy from 1900 to 1946. I used the technique of collage, the assembly of common objects, and photography
this work is a reworking of an old image of King Vittorio Emanuele II, sovereign of Italy from 1900 to 1946. I used the technique of collage, the assembly of common objects, and photography
this work is a reworking of an old image of King Vittorio Emanuele II, sovereign of Italy from 1900 to 1946. I used the technique of collage, the assembly of common objects, and photography
this work is a reworking of an old image of King Vittorio Emanuele II, sovereign of Italy from 1900 to 1946. I used the technique of collage, the assembly of common objects, and photography
real image of King Vittorio Emanuele lll.

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"Vittorio Emanuele lll " Sculpture

Lele De Bonis

Italy

Sculpture, Wood on Aluminium

Size: 17.7 W x 21.7 H x 2.4 D in

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$790

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ABOUT THE ARTWORK

this work is a reworking of an old image of King Vittorio Emanuele II, sovereign of Italy from 1900 to 1946. I used the technique of collage, the assembly of common objects, and photography

DETAILS AND DIMENSIONS
Sculpture:

Wood on Aluminium

Original:

One-of-a-kind Artwork

Size:

17.7 W x 21.7 H x 2.4 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in 1980, Lele De Bonis lives and works as a set designer for several companies in the theater, cinema, amusement parks and outdoor scenography sectors. At the same time he has developed a personal artistic path focused on the concept of recovery and assembly, through which he represents what strikes him most in real life. The human being is the center of his works and he usually represents it in a cynical and grotesque key, without ever condemning it. Wood and aluminum are the materials he uses the most. Beyond the message, their constructive juxtaposition allows him to play and experience infinite alchemical relationships between hot and cold materials. Starting from the concept of “ready made”, through his assemblages, Lele is constantly searching for an aesthetic dialogue aimed at creating a material and chromatic balance between the different materials within a composition. His works are a continuous alternation between explicit references to the current historical context and a more abstract, introspective research.

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