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I have always enjoyed sculptural forms engaging and interconnecting with one another. Emotions reduced to a pose, a look,an angle, in a static material, and their release to the onlooker  always give me thrill.

The sculpture has a salt and pepper texture on the surface, with charcoal and blue grey  as the principle surface colours, matt in finish. These alternate with the glossy surfaces of the colour accents.

The base is steel plate with a satin black finish.

Edition 1/3
Detail

445 Views

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Warm Feelings Sculpture

Paul Stein

South Africa

Sculpture, Metal on Aluminium

Size: 19.7 W x 31.5 H x 16.9 D in

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SOLD
Originally listed for $4,300

445 Views

22

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ABOUT THE ARTWORK

I have always enjoyed sculptural forms engaging and interconnecting with one another. Emotions reduced to a pose, a look,an angle, in a static material, and their release to the onlooker always give me thrill. The sculpture has a salt and pepper texture on the surface, with charcoal and blue grey as the principle surface colours, matt in finish. These alternate with the glossy surfaces of the colour accents. The base is steel plate with a satin black finish. Edition 1/3

DETAILS AND DIMENSIONS
Sculpture:

Metal on Aluminium

Original:

One-of-a-kind Artwork

Size:

19.7 W x 31.5 H x 16.9 D in

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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Paul Stein was born in Johannesburg, South Africa in 1956 , and lives and works out of his studio in Cape Town. He works in the medium of metal and mixed media sculpture, and his works are in collections both in South Africa and abroad. I work primarily within the direct metal approach to sculpture, as opposed to the cast metal method. My raw materials are sheets of steel or aluminium which I shape towards the desired end. I am drawn towards simplicity in form and the idea of stating an idea with minimum fuss. I find inspiration in many things, but my prime area of interest at the moment is using the medium of sculpture to express human intent. I am also interested in the idea of fragmentation, of form, movement and implied movement in sculpture. How do you alter the static nature of sculpture, and make it come alive?

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Featured in the Catalog

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