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The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. 

The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. 

I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important.
 
In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth.
So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg    	 	       inside of the tube in a tight and lower position, as an obvious suggestion.
The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. 

The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. 

I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important.
 
In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth.
So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg    	 	       inside of the tube in a tight and lower position, as an obvious suggestion.
The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. 

The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. 

I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important.
 
In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth.
So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg    	 	       inside of the tube in a tight and lower position, as an obvious suggestion.
The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. 

The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. 

I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important.
 
In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth.
So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg    	 	       inside of the tube in a tight and lower position, as an obvious suggestion.
The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. 

The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. 

I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important.
 
In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth.
So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg    	 	       inside of the tube in a tight and lower position, as an obvious suggestion.
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Women's Issues Sculpture

Klein Manzano

Spain

Sculpture, Metal on Steel

Size: 15.7 W x 20.1 H x 15.7 D in

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About The Artwork

The work ‘Women’s issues’ is inspired by girls’ toys, and how girls seem to get prepared for their tasks as grown-up women. The irony of the title refers to the many times a woman stands before important moments and decisions, related to her gender, life, family and off-spring, as though they were only her concern. I hope the viewer will somehow feel the contemptuous connotation of the title, and that ‘those kinds of issues’ are often considered less important. In the assemblage I wanted to combine a typical girls’ toy and the domestic technique of knitting, with chrome, wood and a big egg, as a reference to an other typical issue for women: giving birth. So I designed and made this knitting toy in giant size, I made a knitted tube with it and I put an ostrich’s egg inside of the tube in a tight and lower position, as an obvious suggestion.

Details & Dimensions

Sculpture:Metal on Steel

Original:One-of-a-kind Artwork

Size:15.7 W x 20.1 H x 15.7 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Sculptors Cosé Manzano (Spain) and Anne Klein H. (the Netherlands) live and work in the South West of Spain. Both work in metal sculpture and installations. They established the KleinManzano art-collective in 2013 and their works can be found in collections in Australia, Belgium, Brazil, Canada, Denmark, France, Germany Greece, Ireland, Israel, Italy, the Netherlands, New Zealand, Norway, Poland, Portugal, Singapore, Spain, Switzerland, the United Kingdom and the Unites States. Artist's Statements: Cosé Manzano: 'Direct metal sculpting like hammering, cutting and welding is my preferred technique. My raw material is metal bar or metal sheet which I intuitively shape, bend and hammer into figurative sculpture. But I can also be captured by a found object or synthetic material. I find inspiration in animals and the land that surrounds us, and also in architecture and contemporary art. In my current work I focus on skin ‘transported’ to metal, and on metrical shapes I see in nature. Although we don’t literally work together on the same art works, working together as KleinManzano reinforces my direction, inner sense and reference in art.' Anne Klein H.: 'I make sculpture in various techniques: metal sheet and mixed media assemblage, using wood, glass, ceramics, metal and leather, often with found or re-used pieces. My work can have a symbolic or surrealist tendency. I get inspiration from social and personal issues (like women and society, or living in a foreign country), but also materials inspire me, as do nature and architecture. To me KleinManzano is a very motivating way of finding reference and structure, stand together and get deeper into art.'

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