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Guinomi, small cup for sake. Also suitable as an espresso cup. Faceted shape and the texture are made in a very special way. Red clay, white shino style glaze.
Created in a wabi-sabi aesthetic way.
Handcut, glazed and fired at Pottery Park studio Kiln in 2018.
Good grip.

volume about 80ml
Guinomi, small cup for sake. Also suitable as an espresso cup. Faceted shape and the texture are made in a very special way. Red clay, white shino style glaze.
Created in a wabi-sabi aesthetic way.
Handcut, glazed and fired at Pottery Park studio Kiln in 2018.
Good grip.

volume about 80ml
Guinomi, small cup for sake. Also suitable as an espresso cup. Faceted shape and the texture are made in a very special way. Red clay, white shino style glaze.
Created in a wabi-sabi aesthetic way.
Handcut, glazed and fired at Pottery Park studio Kiln in 2018.
Good grip.

volume about 80ml
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Wood Fired Wabi Sabi Handcut Guinomi or Coffee Cup Sculpture

Paul Fryman

Ukraine

Sculpture, Ceramic on Ceramic

Size: 2.8 W x 2.8 H x 2.4 D in

Ships in a Box

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SOLD
Originally listed for $240
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310 Views
3

About The Artwork

Guinomi, small cup for sake. Also suitable as an espresso cup. Faceted shape and the texture are made in a very special way. Red clay, white shino style glaze. Created in a wabi-sabi aesthetic way. Handcut, glazed and fired at Pottery Park studio Kiln in 2018. Good grip. volume about 80ml

Details & Dimensions

Sculpture:Ceramic on Ceramic

Original:One-of-a-kind Artwork

Size:2.8 W x 2.8 H x 2.4 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My sources of inspiration are Japanese ceramics, the beauty of the land around me and behavior of the material itself. From wood-fired stoneware I expect to get on the one hand, perpetuation of the raw piece’s beauty, on the other hand, achievement of an extreme degree of firing transformation, one step before (or even after) the material’s destruction. The greatest success for me is an obtaining a harmonious combination of these two mutually contradictory results in one bowl. The clay, the fire and the artist are equal partners in the pot’s creation, giving one infinite wonder. The most exciting moment, the kiln opening, can be compared with a new planet’s discovery, finding a place there was no one before. That’s the reason to make a Chawan.

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