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This sculpture is about our relentless search for the past compromising today.

“All our yesterdays have lighted fools
Th     The way to dusty death. 
         Out, out, brief candle!”
William Shakespeare (from Macbeth)

This sculpture was part of the exhibition titled “A Journey in Time” intended to motivate the viewer to make the most of time before it is too late, to be more present and aware.
This sculpture is about our relentless search for the past compromising today.

“All our yesterdays have lighted fools
Th     The way to dusty death. 
         Out, out, brief candle!”
William Shakespeare (from Macbeth)

This sculpture was part of the exhibition titled “A Journey in Time” intended to motivate the viewer to make the most of time before it is too late, to be more present and aware.
Yesterday

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Yesterday Sculpture

Belgin Yucelen

United States

Sculpture, Bronze on Stainless Steel

Size: 6 W x 17 H x 6 D in

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$2,260

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250 Views

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ABOUT THE ARTWORK

This sculpture is about our relentless search for the past compromising today. “All our yesterdays have lighted fools Th The way to dusty death. Out, out, brief candle!” William Shakespeare (from Macbeth) This sculpture was part of the exhibition titled “A Journey in Time” intended to motivate the viewer to make the most of time before it is too late, to be more present and aware.

DETAILS AND DIMENSIONS
Sculpture:

Bronze on Stainless Steel

Original:

One-of-a-kind Artwork

Size:

6 W x 17 H x 6 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Creating is a sacred call for me, a responsibility to peruse myself, to communicate my inner-self and evoke a form of consciousness. The process of art making is a revelation for knowing who I am. To make sense of a feeling, I search for forms. From these forms, I create imaginary worlds that help conjure unrealized possibilities. When the viewer recognizes her own experiences in these imaginary worlds I create, my art becomes a sense making tool as encountering feelings and experiences similar to ours validates them. I can only create the view from my own window manifested by my hands. With each story I tell, or feeling I express, I aim to start a communication through which I meet with my viewer, and other viewers meet within the space only art can create, dissolving the separation between us, and across time, distances and cultures. In many aspects of my life, including objects I own, words I use, and my art, I aim to assume meaning with less. In my artmaking, I use a soft voice, almost an understatement with silences, and pauses which create spaces of ambiguity where the viewer can escape from the limitations and complexities of a well-defined subject. By presenting a mere hint of the story, I evaluate the possibility of art to provoke seeking for emotions. Through the act of revealing or concealing, similar to a fenced garden which partly obstructs the view, the viewer stays longer to find out what is hidden behind. This also empowers the viewer to imagine and make their own aesthetic choices and personal interpretations.

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