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Sculpture, Wood on Wood
Size: 21.1 W x 10.6 H x 1.2 D in
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225 Views
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Geometry is essential in my practice, in architecture, in daily interactions. I use different shapes and typography to create new shapes, shadows of the first ones and giving them depth with colors. i created a color harmony thinking about spring, about some flowers and memories of what spring can be and might be again. i always enjoy creating interlocking shapes and create an in/out relation for the viewer. each side meet and create a new border, or new order, inviting the viewer in my escape. you can see it as a geometric landscape or a colorful wave to swirl into. All my recent works are made from reclaimed materials, found in the streets, in different locations in Tel Aviv. iWant to raise awareness about sustainability in The Arts and invite collectors to be more mindful about our choices and lifestyle. I also prefer cutting shapes that reveal the negative space with a halo of colors form the back of each sculpture to value the space that they are living in and give a new vision each time the viewer look at it according to the difference light in the day or night.
2021
Wood on Wood
One-of-a-kind Artwork
21.1 W x 10.6 H x 1.2 D in
Not Framed
Not applicable
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Israel.
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French-Israeli artist, lives and works in Tel Aviv, Israel. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Jessica ’s corpus of art is an infinite voyage. Her calling never discovers a termination. Light is an exceptional commodity for her, the infinite evolution of colors, untangible moment of grace, and interactions with architecture. her process starts by translating this reflection and materialize them in shapes, lines and color harmonies She builds utopian architecture (mindscape) where she unveils impossible geometry. Her art-objects are keys to new dimensions, a new approach of colors. the structures display optical illusion that distract us from rational thinking and logic. Her art is inspired by former Bauhaus artists like Josef Albers. Jessica lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. She believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism.
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