edge of a wood Sculpture

Chaos and evolution lends itself to the ‘spring cleaning’ of things that our contemporary methods of living do not consider practical or necessary and manifests itself as the relegation of tradition to museums. Fantasies and fears of the unknown once so strong a sensation, particularly in childhood where a void in our knowledge awaits the conception of our ultimate unease, are now automatically catered for. Universal and standardized foes, collective scapegoats and logically realistic enemies instantly occupy our psyche whenever we require. In 'on the edge a wood' a pseudo-computer graphic of three-dimensional space distinguished by light disassembles our idea of what we knew of this phenomenon representing the decline of the unknown as a phenomenon. What we now have ahead of us can be defined in terms of the apparently comprehensive idea we have of ourselves.