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4
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Sculpture, Assembling on Plywood
Size: 18.5 W x 61 H x 7.9 D in
Ships in a Crate
67 Views
4
Featured in the Catalog
Featured in Inside The Studio
Artist featured in a collection
from the KRYPTA series «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that shows neither the reality nor the abstraction of our conscious perception of the world, but an interior imago not immediately accessible to consciousness and analytical intelligence. SPELL TOWER Spell Tower refers in the first place to the building of words, which is a key feature of the KRYPTA series. But besides its linguistic definition, it also implies the more poetic sense of enchantment, «casting a spell», which some consider to be the ultimate relevance of art.
2024
Assembling on Plywood
One-of-a-kind Artwork
18.5 W x 61 H x 7.9 D in
Not applicable
Yes
Ships in a Crate
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Switzerland.
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Switzerland
Juliet Vles is an European multidisciplinary artist, born in 1950 in the Netherlands, of Swiss-French nationality and actually living and working in Switzerland. Essentially an abstract painter and sculptor, whose work is mainly to be found in arte povera and minimal art collections, her artistic interests also include installation work, drawing and digital painting. The works of the Krypta series, half-painting half-sculpture, are geometrical constructions overlaid with painting, drawing and written panels incrusted, intarsia-like, into the supporting frame. The word «Krypta» (from Greek «hidden», «secret») stands for an artistic expression that does not seek to depict reality, nor even its abstraction, but the imago of an unconscious area of the mind not immediately accessible to analytical intelligence. Formally, the hallmark of Vles’ artwork is the unusual combination of its sober, geometrical underlying structure and the multilayered, rough texture of the painted surface. Although often shown in exhibitions featuring Concret Art, her work owes more to the Support/Surface movement than to formal Constructivism. In her recent work, the artist increasingly abandons the notion of "making images" and rather sees her wall sculptures as an extension of architecture - expanding the supporting wall by an additional physical and esthetical dimension. In 2017, the artist started working on a series of reverse glass paintings, revisiting the glass sculptures and installations she created between 1997 and 2003 and drawing on the technical experience she acquired during that period. For the GLASSWORKS please see
Featured in Saatchi Art's printed catalog, sent to thousands of art collectors
Featured in Saatchi Art's curated series, Inside The Studio
Artist featured by Saatchi Art in a collection
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