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This work of art is the result of a research in natural pigments and three different types of clay: terracotta, earthenware and white barrro or shiro. With the intention of creating pots or jars I let myself be carried away by the poetics that matter possesses and gradually reveals itself when worked. First burn 900 °. Second firing 1000 ° clear frosted enamel and enamel paint made with copper oxide on the outside. Third burn 1000 ° enamel prepared in the technique temoku with chromium oxide. Chromium is a very interesting pigment, because most of the time its result is unpredictable.
In the landscape pitcher its inner aspect is velvety.
This work of art is the result of a research in natural pigments and three different types of clay: terracotta, earthenware and white barrro or shiro. With the intention of creating pots or jars I let myself be carried away by the poetics that matter possesses and gradually reveals itself when worked. First burn 900 °. Second firing 1000 ° clear frosted enamel and enamel paint made with copper oxide on the outside. Third burn 1000 ° enamel prepared in the technique temoku with chromium oxide. Chromium is a very interesting pigment, because most of the time its result is unpredictable.
In the landscape pitcher its inner aspect is velvety.
This work of art is the result of a research in natural pigments and three different types of clay: terracotta, earthenware and white barrro or shiro. With the intention of creating pots or jars I let myself be carried away by the poetics that matter possesses and gradually reveals itself when worked. First burn 900 °. Second firing 1000 ° clear frosted enamel and enamel paint made with copper oxide on the outside. Third burn 1000 ° enamel prepared in the technique temoku with chromium oxide. Chromium is a very interesting pigment, because most of the time its result is unpredictable.
In the landscape pitcher its inner aspect is velvety.

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landscape jar Sculpture

Marcia Tannure

Brazil

Sculpture, Ceramic on Ceramic

Size: 4.3 W x 5.5 H x 2.6 D in

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$292

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ABOUT THE ARTWORK

This work of art is the result of a research in natural pigments and three different types of clay: terracotta, earthenware and white barrro or shiro. With the intention of creating pots or jars I let myself be carried away by the poetics that matter possesses and gradually reveals itself when worked. First burn 900 °. Second firing 1000 ° clear frosted enamel and enamel paint made with copper oxide on the outside. Third burn 1000 ° enamel prepared in the technique temoku with chromium oxide. Chromium is a very interesting pigment, because most of the time its result is unpredictable. In the landscape pitcher its inner aspect is velvety.

DETAILS AND DIMENSIONS
Sculpture:

Ceramic on Ceramic

Original:

One-of-a-kind Artwork

Size:

4.3 W x 5.5 H x 2.6 D in

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