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Sculpture, Found Objects on Wood
Size: 8.3 W x 8.3 H x 3.1 D in
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in all the light studies that i made, i also investigated into sacred geometry and the differently to reach higher vibrations and create an exit, even temporary. the need to ground myself and also elevate light, spirit, body (merkaba originally from hebrew מרכבה) you can find a lot of different interpretations from the bible, sacred geometric and other sources. In my journey to light, I realized the balance comes from within. This is why you will find some symmetry, symbol, harmony created from a center to the outside. the sculpture can be hang in different sides and using angles or borders to create a new harmony every time. i wish to develop more works in that direction, also mural paintings or installations to create an experience at human scale. light escape - merkaba-geometric dystopia 21X21 (sides 8-5-8-5) pigments and acrylic on reclaimed wood, hand jig saw Tel Aviv, Israel,June 2021 please consider Recycle, Reuse, and be more sustainable. thank you.
Sculpture:Found Objects on Wood
Size:8.3 W x 8.3 H x 3.1 D in
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
French-Israeli artist, lives and works in Tel Aviv. Graduated from the fine arts of Paris (ENSBA),LVMH young artist award 2006, TAKASAGO prize 2008. She believes that order in chaos leads to an equilibrium of harmony. Moritz’s corpus of art is an infinite voyage. Her calling never discovers a termination. On a diurnal degree, Moritz is compelled to confront herself personally with the transcendence of light. Light is an exceptional commodity for her, it's something which she adores and desires but also causes agony to her. Enduring the torment she creates with her art objects a utopian architecture (mindscape) where she unveils an unfeasible geometry. Her objects are portals to a dissimilar sphere where the mind absconded and is confronted with a clear result of a never materializing entity of art. The inevitable consequence is a painted geometry that provides balance and an optical euphony in a very intelligible manner. Her art is inspired by former Bauhaus artists like Josef Albers. Moritz lives in Tel Aviv, where the traces of this movement are still to be found in the city architecture. Albers inspired Moritz to consider herself profound with the theory of color. Her inquiry led to an inspirational mission to flourish a very own attitude to this optical material. Moritz believes in a sustainable way of producing her art. In consideration of climate change, she reclaims materials to use the existing. She gathers material on her trips and transforms them during a magical process into a new purpose. She tries to avoid a replacement out of senseless consumerism. co-written with J. P. Wolters Selected Artist part of New Voices, Saatchi ART 2021 special Edition Catalog Meet 100 Artists Who Are Changing the Conversation.
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