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Germany
Sculpture, Wood on Stainless Steel
Size: 2.8 W x 33.5 H x 2.8 D in
Ships in a Crate
The assemblage „the match“ was created in 2014 against the background of the football world cup in Brazil. The object is highly ambivalent. A torch made of a baseball bat, combining the raw power of a sports tool that can be uses as a weapon with a strong symbol of the Olympic games. It makes a special reference to mass events in sports, a sphere where fairness, health and a fun experience are promoted as positive values, contrasting a reality of violence, exploitation and power games before and around the event, if not in it. The torch in fact was introduced to the Olympic games by Joseph Goebbels and never revised since then, so on one side of the sculpture is written "seit 1936" (engl.:„since 1936“). The riots that accompanied the world cup in Brazil light the match in a special way, playing with the word´s twofold meaning as “game” and “matchstick”. The object embraces a complex field of problems with a simple yet potent aesthetic. It creates a direct access, and at the same time induces an intuitive interpretation of the different symbols alone and in their interplay. Burning sculpture: A wooden bat, that incudes a burning torch. The torch can be easily filled up with general lamp oil.
Sculpture:Wood on Stainless Steel
Original:One-of-a-kind Artwork
Size:2.8 W x 33.5 H x 2.8 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Boje Arndt Kiesiel is a painter and sculptor based in Hamburg, North-Germany. His paintings address the subconscious and stimulate deep layers of perception with seemingly objective forms that yet cannot be grasped. Within colorful surfaces that appear to be abstract at first sight he shapes figures and scenes that become visible only on closer examination. Sometimes this is reversed, and a seemingly clear figure reveals more and more layers when looking at its various details. His objects are mostly assemblages, frequently addressing issues of consumerism and taking a critical look on modern society, and an atmospheric form of painting, combining abstract forms with representational elements. Common to all his works is a moment of revelation, they confront, entice, evoke. His objects reflect uncomfortable truths, destroy the smooth surface of consumerism, or play with taboo topics to lead the observer out of his comfort zone.
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