Boris Krylov

Since 1999 I have been working in the field of monumental sculpture. I am attracted by the appearance and opportunities of durable materials. They correlate with my inner intention to create artwork which can stand time and mindset changes. Working on the project I concentrate on two principal aspects: the way sculpture contacts with the viewer, especially the most attentive and sensible - with the child, and the way it interacts with the surrounding space. Looking for new approaches to the monumental sculpture I have returned to the experiments with the easel sculpture. That is how I reopen vastness of expressive metaphors and sincerity of personal artistic language.

National Academy of Fine Arts and Architecture (1993-1999), Faculty of Sculpture.