Eduardo Duenas

Eduardo Dueñas Velasco
Multidisciplinary Visual Artist

Born in Guadalajara, Jalisco (1989), Eduardo Dueñas develops his artistic practice across various disciplines, including painting, sculpture, installation, bioart, set design, and videomapping. His work is deeply influenced by Russian Constructivism—a visual and architectural movement that emerged in 1914—and Concrete Art, a strand of geometric abstraction developed during the 1930s.

Dueñas unfolds an aesthetic of emotional restraint, with compositions that emphasize form, texture, and repetition as frameworks for visual thought. His installations, sculpture and two-dimensional works often incorporate architectural and landscape codes, addressing themes such as identity, the erosion of time, and the tension between the artificial and the organic. Through a critical yet serene gaze, his work invites quiet contemplation, offering the viewer an immersive experience of aesthetic and symbolic introspection.

With a coherent and refined vision, Eduardo Dueñas positions himself as a creator whose practice transcends the ornamental, opening spaces for reflection through a sober, powerful, and profoundly contemporary aesthetic.

Bachelor’s Degree in Visual Arts for Plastic Expression
University Center for Art, Architecture and Design
University of Guadalajara (UDG)

Eduardo Dueñas exhibited his work in a range of nationally and internationally recognized cultural venues, establishing a solid presence within contemporary and multidisciplinary art. His work has been shown in prominent Mexican institutions such as the Museo de la Ciudad de Guadalajara, the Casa Museo López Portillo, the Laboratorio de Arte Variedades (LARVA), the Museo de la Ciudad de Querétaro, the Sala Juárez in Guadalajara, and the Teatro Experimental de Jalisco, as well as in exhibitions abroad.

His participation in these forums has included installations, audiovisual projections, and interdisciplinary collaborations, showcasing his ability to fluidly navigate between the visual, the sonic, and the technological. This affirms his ongoing commitment to experimentation and critical reflection within the visual arts.

His artistic work is also part of private collections in Mexico, the United States, Germany, and China, reflecting the growing international recognition of his creative language.