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ABOUT THE ARTWORK
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With the introduction of the internet and the accessabilty worldwide, I started this painting in 2000 that contains the adequate tools that make up a technodelic afficionado, temporarily having a break with food and drink aside.
Year Created:
2000
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
16 W x 16 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
White Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Benjamin Ortleb
Germany
I was born in 1965 in Berlin. At the age of 15 I started painting seriously and had my first exhibition two years later in the Berliner Philharmonie. I went to nude painting in class of Andre Bednarczik in Berlin, spent a month in Salzburg at the Sommerakademie to start lithography, graduated as a graphic-designer in 1991, became a webmaster in 2000 and made my MA at the University of the Arts in Berlin ("Institute of Art in Context). Since 1998 Im also working as an art-workshop teacher in private schools and youth facilites. I am a member of the Japan-Germany Contemporary Fine Arts Exchange Association led by Sohachi Shimomisse in Kyoto and also of the BVBK (Brandenburger Verband Bildender Künstler)I live and work as an Art teacher, freelance artist, graphic/webdesigner and musician in Kleinmachnow, Brandenburg, Germany. Current subjects/themes 1. Film stills The year of generating images on the computer was the initial spark to use them as templates for large scale paintings. What I am using now are stills, fragments and press photos from newspapers, books and movies. The conceptual idea is to take a closer look on violence and catastrophes and transfer them into a new aesthetic surrounding where the actual scenes of horror and fear are mixed with fascination. Changes in colour, partly achieved through polarized effects, gradations, complementary colours and shades of monochromes, give way to emphasize the relation between content and realities. 2. Musical portraits on vinyl, walls and canvas Besides movies, music has always been a major inspiration in my painting process. I started using photos of portraits of well known artists some 20 years ago by blending them into abstract backdrops highlighting the essential traits and expression of the profile. Vinyl as an additional image carrier perfectly combines both the music and its maker. 3. Assemblages The passion for found objects has also been going on for a number of years. Its sheer beauty urges me to embed them onto canvas creating a world of paint, shapes and textures.
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